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he

Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Kitsune Kitsune
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Pastel Feather

I'm actually really proud of this one, especially for the feather. I had made almost every individual line using the Flat Brush in FireAlpaca (10/10 would recommend) but it was fun putting all my effort into one piece.

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Oscar Oscar
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Carl Chandler Riggs

https://www.instagram.com/arte_ozgaleano/ https://ko-fi.com/ozgaleano https://www.fiverr.com/users/oscargaleano https://linktr.ee/oz_galeano

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Charlie Haggard Charlie Haggard
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Heist crew

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Ross Hendrick Ross Hendrick
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The Graffiti Artist

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Laurine de Sélys Laurine de Sélys
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Alone with the shadows

She wanders among the shadows. Something touches her ankle. Is it a siren she hears in the distance through the mist?

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rizal rizal
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Rabbit-Duck Reality proto-sketch

First sketch for my finished artwork. I revise the head on the left to rabbit + duck and human head on the right.

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Tiffany Thompson Tiffany Thompson
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Lindsey

First watercolor I've ever done besides the childhood paint with spit

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Old bone story and artwork Old bone story and artwork
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Baka Jankica, fantastične priče s nekoliko crteža, Grandma Jankica, fantastic stories with several drawings, outsider artwork

cardboard 100x70 cm. There are reasons I don't want to explain to you, and for which I will tell you this story. Suffice it to say that the kind of information that will read you is not for everyone's ears, I believe you will not use it for bad purposes. In case of misuse, you will be badly beaten. I belong to the genus Woody Puppets, quite numerous in the Magic Valley. I was born in Puppetcity, from my father a traditional medicine doctor (herbal and energy treatment) and my mother Major Readers of phenomena. I spent my childhood normal, shaping my body into the shape I wanted, like all dolls. Wandering aimlessly and observing the relation of thought - matter, it was my favorite pastime as a little doll. On one occasion I was helping my father collect herbs on the clearings around Puppetcity. My father (who didn't talk much) suddenly started talking about topics he didn't want to answer before and I remembered his words forever: "My little one, there are inexhaustible energies that just need to be used, and a small number of beings are used with them for the simple reason that they do not believe in their existence or they give up too soon on the apprenticeship of invisible forces. Try to keep your body healthy and in good shape, moving regularly, because only a healthy body has a strong spirit. We are currently in a phase where our spirit is attached to the body and the body depends a lot on how much the spirit of growth. The rule is also true that the spirit influences the body in which it resides much, much more powerfully than many beings are aware of this fact. I will teach you how to strengthen and purify your body and spirit in an easy way with the power of Thoughts and exercises available to those who believe. Before using this knowledge, you will have to go through a period of Observation, similar to that of a blacksmith for one year only observing the hot iron and spreading the fire to the desired temperature. The master then gives it to him tongs and hammer in the hands. Previously, the apprentice would not have used the tool, find out a lot more about Grandma Jankica at lutakzvonko.blogspot.com

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Sevda Khatamian Sevda Khatamian
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Map

I reach the crossroad, look to the right, and then to the left. Couldn't tell which way to go, downtown had always got me confusing. I crossed the street, the light was red.

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Cobi Rogers Cobi Rogers
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Max Block

MAX BLOCK—the greatest quadruple agent spy!

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William Lambert William Lambert
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Shelby’s new ride

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Pola Pola
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ANGELS

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Martin Schapp Martin Schapp
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Riot_King

He's the King of every riot. At least he thinks so. But karma strikes back.

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Lady Stitches Lady Stitches
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Dont Look

Prints available here: https://www.deviantart.com/epicwarriorgirl/art/Don-t-Look-808035489

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Zoe Marshall Zoe Marshall
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Spike Prickles

It appears hedgehogs have moved into the wilderness area at the bottom of my garden. Most pleasing.

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Pooja Mehta Pooja Mehta
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Heart with memories

My memories mean a lot to me, and I hold them close to my heart.

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Armando Armando
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CMYK Girl

My unofficial mascot character for my company called Dream Pigment. She has my cartoon logo on her underwear.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Woman with a book - 1923 de Fernand Léger

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Kristen Rasmussen Kristen Rasmussen
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Fractal City - Part One

My original character, Yomi, has a fascination with light. These lamps you see might look familiar to you, but Yomi is among the first to discover the beauty of colored light. He shares it with the neighbors in his town and the eyes of dazzled passerbys. ---- 1/3 part of a new series called Fractal City.

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Lena Zvereva Lena Zvereva
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More floral doodle and color mix

Again, mixing some colors to get greens: 1) cobalt blue (PB 28) plus cadmium lemon (PY 35); 2) ultramarine (PB 28) and cadmium yellow. Didn’t see much difference. In the first case there seem to be more hues, though. Funny, cadmium yellow medium and cadmium lemon have the same label: PY 35

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Sumi Sumi
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The creepy guy

Creepy brain product

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Ivan Kuindzhi Ivan Kuindzhi
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Whos there?

Painted over a photograph of an old church wall

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Pooja Mehta Pooja Mehta
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Sunrise in mountains

Sunrise looks spectacular in the nature; sunrise looks spectacular in the art.... sunrise looks spectacular in our dreams...because it really is spectacular!

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Sevvi Sevvi
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Mae

Another amalgam and older sister to Annie. Her ability is a giant mouth along her stomach line that can consume literally anything.

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Sevvi Sevvi
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Annie

This is Annie, an amalgam (very much like a Frankenstein's monster) with the ability to attach limbs to herself from muscles at her stitch lines. Based off a game idea I had.

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Glynda Paternotte Glynda Paternotte
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Hot fun in the summer time

Collage

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Eric Peña Rivera Eric Peña Rivera
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Taking the rocks around the window

8" x 10" ink and marker on paper

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Solomonoaward@gmail.com Solomonoaward@gmail.com
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Unfinished

Unfinished

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Scott Ries Scott Ries
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Heat Wave

Pencil Drawing

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