A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
Another addition to my Tool Series—this time a tape measure, the symbol of accuracy, patience, and work ethic. I signed it with Patmore 25 as a nod to the years it has taken to become the artist I am today. Just graphite, ink, and intention… transformed into something that feels alive.
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.
It's been a hot minute. I was taking myself too seriously until there was no fun in drawing left. So I had a break, then bought myself some chunky kids' markers and voilà!
So this beauty is an Alien Princess of her galaxy. But because its my WORLD there are multiple. Her crown are the number of planets within her realm. Each galaxy will have a limited amount of planets and life forms.
So yeah, I will color this image and add a word bubble. But um, this was my honest reaction to season two of Hazbin. Soooo, I will continue the roller coaster ride, but my ears will burn from the singing and my eyes will be scratched out due to the content in which I am forcing them to focus on. I might even go see a therapist and question all my life choices.
(2B pencil on 147mm x 133mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
August pictures...
Highlights include spending time on a lake with beloved friends, a chukar (a partridge native to Asia) walking into Home Depot and a happy young woman in a beautiful red dress in a subway. I love watching people in subways (and everywhere else).
#dailydrawing
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
A drawing for someone I somehow met from the corner of the internet, his original character Runali. A few years of ups and downs, but there were many struggles due to poor mental health. In the end as things heal, we gradually recognised our differences and decided to take different paths.
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
Moomins my moomins! 120 layers of Finnish and Japanese cuties (It's funny, but I took some versions of the characters from the books, and others from the cartoon adaptations. And the Mymble's palette was invented by me hehe). It's been a long time, but I don't regret anything: D
I drew a cute Easter bunny! My neighbor's bunny inspired me to draw her. I used a different name because the owner didn't feel comfortable having the name on her. She has taught me how to draw a few years ago and now since I am older I wanted to share it with you guys. Thank you!
For this fifth day of this week about pets today it's the turn of Phineas and Ferd's pet platypus, who although he seems like an animal that doesn't do many things, he's actually a secret agent when no one's looking, none other than Perry the platypus
"There is," said the marzipan pig, "such sweetness in me!"
"The Marzipan Pig" by Russell Hoban is one of my favorite books. During the pandemic, @pgoedi from @communitybookstore read it and I drew it. Found it again and wanted to share it.
This makes me want to draw live again. It is such a nerve racking thing and so fun!
