This is a page for a collection of comics called Hardball and Riley, The Ultimate Package. It's over 160 pages so far and I keep finding old cartoons in my collection.
I think we all have been there. Its not that I don't like socializing, but I have anxiety when I'm placed in a large group of people. But once I get to know ya, its smooth sailing from there.
It's a good day to go to a concert.
Robert Dick and Dan Blake performing at 2B & 2C Gallery.
So ok, this was a few days ago.
Plus is their album Laugh and Lie Down for which I made the cover.
Drawing made using multiple colored pencils and black fineliners. The inspiration came from spilling ink over a page. This way I imagined something dark covering colors bit by bit.
Suddenly the light goes out and staying in the dark is a test of resistance, but when everything seems lost, it turns on again, so simply: sometimes a single attempt isn't enough, there are many moments to spend without light, but you don't have to be afraid of it, because sooner or later we will succeed in the undertaking and it will make you smile as the thing that seemed so difficult came spontaneously, it was enough not to force the process.
I hate the darkness because it shows me a version of myself that I would never want to meet, yet if I accept that the punches of life in some periods are stronger than others, sometimes leaving bruises and burns, but that life itself has granted me caresses like this sweets that I would not have appreciated without going through pain, then everything around me will seem golden. I can only appreciate the hatred and wonder of it.
I can feel those caresses, I can savor them with the same intensity with which I feel the pain of the punches, because ultimately they give so much: the strength to take another step, to not give up right now, right now that I am so close to feeling them in my heart those precious caresses.
This is an oil painting of an African American couple. They’re sharing an intimate moment with each other. Some maybe would say that they’re the epitome of “Black Love”. His skin is dark tones as compared to her lighter shade. The two skin tones wrapped together in sheets gives life to what I call “The Happy Couple”.
Here’s a charcoal drawing of a design. Of course, I have a plethora of curvatures that range from narrow to wide in some areas. The curvatures are mirror images when comparing the left from the right. They come together to form the shape of a chandelier hanging from the ceiling. Some may even view the drawing as being similar to the pelvic area of a female. A dark blue is highlighted on the drawing to add more charm. Finally, the background is a lattice style with a light smear.
