Graham's Up the Tree! ("and there's nowhere else he can go!") - my 4 year old ran around the house for weeks misquoting the story with his own interpretation of an Australian accent. Calling it out over, and over, and over again.
Grandfather was a clergyman and used to preach to the King. Once, before his children and his children's children and his children's children's children covered the face of the earth, Grandfather came to a long field which was surrounded by forests and hills so that it looked like Paradise. At one end it opened out into a bay for his descendants to bathe in.
Then Grandfather thought, here will I dwell and multiply, for verily this is the Land of Canaan.
Then Grandfather and Grandmother built a big two-storey house with a sloping roof and lots of rooms and steps and terraces and a huge veranda and placed plain wooden furniture everywhere inside and outside the house and when it was ready Grandfather began to plant things until the field became a Garden of Eden where he walked around in his big black beard. All he had to do was to point at a plant and it was blessed and grew until it groaned under its own weight.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
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Email Address..:aileenqueen45gmail.com
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Telegram(aileenqueen)
WhatsApp Number:+1 (870) 517-7223
Email Address..:aileenqueen45gmail.com
A 20x36 canvas A surreal shoreline unfolds beneath a weathered lighthouse, where reality bends into myth. Planes drift through muted skies, a UFO lifts a van from the cliffs, and the sea itself seems alive—its waves whispering forgotten tales. Between the moon’s watchful eye and the wreckage below, every fragment hints at a story untold, a dream caught between the tide and time.
Patron Saint of Lost Keys and Small Things.
Reminded me of this poem by Elizabeth Bishop.
One Art
The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.
—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.
today is the birthday of Sebastián García, who voiced Oz Vessalius in Pandora Hearts, Hikaru Hizashi in Beyblade Burst: Surge, Liam Williams in Koala Man, Greg Heffley in the Diary of a Wimpy Kid animated franchise, and Victor in My Dog Pat in Gaby's Dollhouse. He was the first voice of Pandy Paws.
It's also the birthday of Jessica Ángeles, who voiced Teddy Duncan in Good Luck Charlie!, Shoko Komi in Komi-san Can't Communicate, and Panzy in Dragon Ball. Daima in Unikitty, she was the voice of Feebee (as a fun fact, Jessica Ángeles only voiced Unikitty in The Lego Movie, its sequel, and in the LEGO Dimensions game).
I wish you both a great birthday
I made this drawing for the birthday of voice actor Cesar Garduza. He is known for voicing Lynn Loud Sr. in The Loud House franchise, Preacher in War for the Planet of the Apes, Rocky Robinson (second voice) in The Amazing World of Gumball, Mr. 9 in One Piece, and Neil in OK, K.O.! Let's Be Heroes.
In Mixels, he was the Latin Spanish voice of the two-headed Mixel who, like the other Muchos, has a big appetite, better known as Vaka-Waka.
We wish him a great birthday
A dense cluster of geometric buildings sits beside the phrase "Offline is the New Rich" highlighting a contrast between urban and online life, and simplicity. To the right, a small house stands alone surrounded by trees and clouds.
Mark Twain (1835–1910)
In the 1870s and ’80s, the Twain family spent their summers at Quarry Farm in New York, about two hundred miles west of their Hartford, Connecticut, home. Twain found those summers the most productive time for his literary work, especially after 1874, when the farm owners built him a small private study on the property. That same summer, Twain began writing The Adventures of Tom Sawyer. His routine was simple: he would go to the study in the morning after a hearty breakfast and stay there until dinner at about 5:00. Since he skipped lunch, and since his family would not venture near the study—they would blow a horn if they needed him—he could usually work uninterruptedly for several hours. “On hot days,” he wrote to a friend, “I spread the study wide open, anchor my papers down with brickbats, and write in the midst of the hurricane, clothed in the same thin linen we make shirts of.”
Whether or not he was working, he smoked cigars constantly. One of his closest friends, the writer William Dean Howells, recalled that after a visit from Twain, “the whole house had to be aired, for he smoked all over it from breakfast to bedtime.”
- From Daily Rituals: How Artists Work by Mason Currey
“Everyone is a moon, and has a dark side which he never shows to anybody.”
― Mark Twain
#dailyrituals #inktober #MarkTwain @masoncurrey
Charles Darwin (1809–1882)
From the time he arrived at Down House until 1859, when he finally published On the Origin of Species, Darwin led a double life, keeping his thoughts on evolution and natural selection to himself while bolstering his credentials in the scientific community.
Meanwhile, he divulged his secret theory to a very few confidants; he told one fellow scientist it was “like confessing a murder.”
- From Daily Rituals: How Artists Work by Mason Currey
“Ignorance more frequently begets confidence than does knowledge: it is those who know little, not those who know much, who so positively assert that this or that problem will never be solved by science.”
― Charles Darwin, The Descent of Man
#dailyrituals #inktober #CharlesDarwin @masoncurrey
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
