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One of a series of illustrations done for a book of poetry. The poetry was in Dutch so I have no idea what the poems are about! However the designer, the late Baer Cornet liked my work!!

From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!

I love how these nesting dolls came out. I'm also into the Dakota Fanning inspired piece on the left. Dakota's character in The Alienist is a lot of fun. I'm glad she seems to have come out of child acting fairly unscathed. We don't hear a lot of stories of her gallavanting around LA, thieving & putting substances up her schnoz. That's a pleasant change of pace for a celebrity.

Sooo, I was trying to draw Sam Smith... it didn’t work out how I wanted but that doesn’t matter. Just forget the Sam Smith idea and see another drawing

(HB pencil on A6 card) An image I printed on cards that I sent out in 2014 that came with a story about how you should never make promises in letters to Santa!

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.

A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.

If i was real youd see me cry If i was real youd watch me die If i was real youd spit in my eye If i was real youd know a lie If i was real youd know my name If i was real id bring you shame If i was real id show you pain If i was real id drive you insane But im not real Im just a name Meet me in the dark Meet me in the light Ill crawl inside your skin Eager for a bite Ill coil around your thoughts Let me stay Together we can obsess Over every shade of grey Deny my existence Dont say my name I dont love you Make no mistake Im not here for salvation Im here for the pain Embrace me my child Nightmares My name #embracingnightmares

TEAR IT APART. I would like to know how to improve! I’m up for feedback and critique. OPEN TO JUDGEMENTAL PEOPLE TOO!

It has been a while, and even a shadow evolves. However, Yu is still as clingy as always as a ball of seemingly limitless energy. New eye designs to better fit the original Avali vibes, a little more vibrant on the feather-do, and maybe a little update in the suit too. Yu loves it.

I like the show heartbreak High it's fun.. and i like this charector.

Patron Saint of Overthinking. Wish I knew how to quiet the buzzing down. #dailydrawing #patronSaint #overthinking

Engie Benjy :D

William Styron (1925–2006) “Let’s face it, writing is hell,” Styron told The Paris Review in 1954. - From Daily Rituals: How Artists Work by Mason Currey “We’re all in this game together.” ― William Styron #dailyrituals #inktober #WilliamStyron @masoncurrey

If time cost flesh If life is boundless Then where will my hours take me I want with desires I wish like a liar Chasing the rabbit timidly When im asleep My dreams are whats deep I drown in seas of maybes How do i rise How do i reach skies When emotions and plans limit me I grovel an weep Cause i put dreams out of reach But i want to engage the maybes So instead of the plots And sitting on thoughts Its time to embrace the daydreams I wont cower to dreams I’ll capture a scheme And nurture the life of maybes -#embracingnightmares

“You saved me, my heroine!” For a guy who almost got eaten, he looked way too pleased. “That’s worthy of, well, an award, you know!” He tapped his split lip thoughtfully, lying on the ground as if nothing had happened. “Ah, Zero Year may be over, but I think it’s only fair for me to name a month after you. What do you say?” His impractical coat was all messed up, his hat laying a little to the side, just as dirty and caked with snow. “It’s january, isn’t it? It’s Amberary now! Maybe not for all of Gotham, but for me for sure.” He grinned. What the hell is he saying? Why bringing up those old words? Ridiculous. Amber failed to hold back surprise in her eyes, but she almost managed to stop herself from smiling in time. Almost. He noticed. “… Get up.” --------------------------- Long story short: Amber saved Ed from predators, and he decided to be extra with his flirting. I remembered Edward's words from “Zero Year” about naming months after gothamites heroes and an idea came to me… This scene will definitely be in a fanfic, for which I have an underdeveloped idea, and which I will definitely not write. %) In any case, this is roughly how I imagine ZY!Eddie flirting, in addition to all the other headcanons. My vision of him is too different from ​​how most of the fandom sees him . xD I’m trying to jump above my head again, not having the skill in background, clothes, drapery, and full body, especially since I almost never drew two interacting characters. My most ambitious work so far. But I’m happy!

W. B. Yeats (1865–1939) A lyric poem of eighty or more lines took him about three months of hard labor. Fortunately, Yeats was not so careful about his other writing, like the literary criticism he did to earn extra money. “One has to give something of one’s self to the devil that one may live,” he said. “I give my criticism.”- From Daily Rituals: How Artists Work by Mason Currey “Life is a long preparation for something that never happens.” ― W.B. Yeats #dailyrituals #inktober #WBYeats @masoncurrey

I'm rather pleased with this one. Did you know that banner bearers are actually super important? In ancient battles, they stood at the front lines and used various signals to communicate the general's orders to the troops. There was an important battle between the Greeks and Persians in 480 BC. called the battle of Thermopylae. The Greeks were outrageously outnumbered. However, when a banner bearer accidentally dropped their banner, the other bearers thought it was the signal to retreat, and dropped their banners as well. The entire Persian army was routed by the significantly smaller Greek force. So technically this lady is much more important and powerful than any flashy warrior could be.

(Gel Fineliner on A5 Paper) A simple image to show that sacred cows, of all kinds, should not be immune in the eyes of any artist.

(Gel Fineliner on A5 Paper) A simple drawing to show how iconic zombies have become, and how they're lazily added to anything these days - Just like chips.

(Gel Fineliner on A5 Paper) The second of five small drawings which are meant to show what happens when an artist gets bored of a subject. You draw something halfheartedly and think "That'll do!" XD

(Gel Fineliner on A5 Paper) A "Twart" is someone who tries far too hard to be an artist. Each carries the metaphorical book: "The ABC Book on How To Be An Artist" Ticking off various points they think will make them such. You can usually tell who they are by the cheesy, inoffensive work they produce and a false, bohemian, facade. Because they think that's what artist are like.

I was playing around with some brushes. I really like how it turned out, I think it looks nice and polished.

Wolfgang Amadeus Mozart In a 1782 letter to his sister, he gave a detailed account of these hectic days in Vienna: "My hair is always done by six o’clock in the morning and by seven I am fully dressed. I then compose until nine. From nine to one I give lessons. Then I lunch..." From "Daily Rituals: How Artists Work", edited and with text by Mason Currey.

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What a shower of bastards. #dailydrawing #bastards

I am delighted to share that I Am a Dragon! has been named to the Pennsylvania Center for the Book's 2024 Baker's Dozen: Thirteen Best Books for Family Literacy! Here is the list ( I am in such a good company!): - “10 Dogs” by Emily Gravett - “ABC and You and Me” by Corinna Luyken - “Bear with Me” illustrated by Kerascoët, Sebastien Cosset and Marie Pommepuy, - “The Concrete Garden” by Bob Graham - “How to Count to ONE (And Don't Even THINK About Bigger Numbers!)” by Caspar Salmon and illustrated by Matt Hunt - “I Am a Dragon! A Squabble and a Quibble” by Sabina Hahn, published by HarperCollins. - “If I Was a Horse” by Sophie Blackall - “The Kitten Story” by Emily Jenkins and illustrated by Brittany Cicchese - “Mr. S” by Monica Arnaldo - “Night in the City” by Julie Downing - “Ruffles and the Cozy, Cozy Bed” by David Melling - “Simon and the Better Bone” by Corey R. Tabor - “You Go First” by Ariel Bernstein and illustrated by Marc Rosenthal

A test piece to see how Conte pencils took to newly acquired black paper.

Water heals and purifies. It also kills and destroys. Few symbols encompass both the life-giving and death-dealing properties of water as the sacrament of baptism, which represents both the passing of the old self and their rebirth as a new creature (Romans 6:3-11). Here, the image of death & rebirth is also reinforced by a dragonfly motif; the dragonfly spends the first years of its life in the deep waters as a nymph, and is completely transformed into a new being as it rises to the surface. Unlike butterflies, a dragonfly undergoes several molting processes after its emergence, showing that, while the creature is already made new, it is not yet perfected, and must grow in its new identity through what is called progressive sanctification. The work's title refers to the Christian daimyo, Konishi Yukinaga, whose baptismal name is Augustine, and is the primary subject of this image.