I grew up drawing and illustrating, but 20+ years later, it hit me with force. I haven't looked back since. These are the first two practice sketches I made when I decided finally that I want to be an artist.
I keep coming back to this Vice headline I saw and took a screenshot of this time last week, which inspired the title of this piece. Seems like a relevant metaphor to me (and others I know) for so many reasons right now! Thankfully nothing too traumatic in my case...
The name for this piece comes from a billboard I noticed as I was heading home from a shopping trip not too long ago, and it’s stuck with me ever since.
Life in lockdown (needless to say) brings with it plenty of time for us all to learn and get creative in whatever way works best..
A value study I did with my friend for practice. Based on a D&D picture we found online. First time using different shades of markers, so it isn't the cleanest piece when looking at it up close.
A playful and vibrant hand-lettered tribute to the universal language of comfort food. Featuring whimsical doodles of pizza, donuts, ice cream, and fried chicken, this design captures that "treat yourself" mood perfectly. Ideal for foodies, snack lovers, and anyone who knows that sometimes a donut is the best therapist.
While waiting in line at a convention to meet Erika Harlacher-Stone (the voice of Violet Evergarden), I sketched this from a reference. Pretty cool moment to see her reaction when I handed it to her, and I'm happy to report that she is indeed a lovely person.
riding while looking at your phone is a very bad idea and can land you a fine in Amsterdam but I've watched people type whole messages while riding around the city.
God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather.
We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Final assemblage - manual drawing enriched with digital elements, A5 format
The punch line:
An external, independent force ruined the morning by shattering the cup.
Fate took its share.
The question is:
Does this same external interference have the power to destroy the rest of the day?
Does one rotten fruit have the chance to rob all the others of their flavor? The sun will shine no matter the situation.
Choice and acceptance don't have to be mutually exclusive!
I have been going Disney strong the last few days. It feels soooo good. Its been nice sitting back and watching carefree movies. I was watching Luca when I made this little gal.
“Revising the Future” captures the exact moment creation becomes correction. Using my own drawing hand as the model, I built this piece through a cycle of sketch, pause, observe, and refine — letting the act of drawing guide the artwork itself. The eraser actively lifts portions of the page, symbolizing the choices we adjust as we grow, the mistakes we confront, and the quiet courage it takes to reshape the path ahead.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
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