idea

New sketchbook time! Had to throw in a shark. No idea why, just did :)

There is really nothing more I can say about this than it is truly just a doodle on a notepad while I was on the phone. The more I do this though, the more ideas I get for larger work.

” Please allow me to introduce myself I'm a man of wealth and taste I've been around for a long, long year Stole many a man's soul to waste ” I have had an idea for a long time to illustrate Sympathy for the Devil from Rolling Stones. This start from free sketching of cloud looking lines and soon i realise they look like atom bomb cloud. Original idea was more landscape version but maybe later.

No idea what squid radio images look like, but here's something close.

Charcoal on gessoed sketchbook paper

Charcoal on gessoed sketchbook paper

A bazillion little round circles and almost as many lines and it still looks static. Sheesh. I'll be working this idea to DEATH over the next few days....

Mining the idea until I hit paydirt....

Very quick rough idea

Quiet nights in = essential for crafting new ideas...

Micron pen and colored pencil on paper

No idea where this title came from, but it works so...yeah. Also, new sketchbook time!

Ideas, ideas everywhere... *suddenly realises he needs to buy another sketchbook*

working on some new ideas

Been sketching ideas for cartoons (for my second Fried Baloney book, eventually). I'll crop bits of the drawings and post them here.

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

I was watching a music video where the idea came from. I had this piece unfinished in my ipad until I watched the backrooms. I then knew it needed to be done.

Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections: I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything. I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works. An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life. Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features. The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.

A playful and vibrant hand-lettered tribute to the universal language of comfort food. Featuring whimsical doodles of pizza, donuts, ice cream, and fried chicken, this design captures that "treat yourself" mood perfectly. Ideal for foodies, snack lovers, and anyone who knows that sometimes a donut is the best therapist.

I wanted to try some perspective drawing. But of course I need to make it crazy and shake the lines up. I have some ideas when I start to color it.

From the chaotic artist mind pours the energy needed to grow your future. A little seed takes growth in your life and stretches across everything manifesting ideas into tangible results.

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Continued developments, as I condensed all the ideas gathered recently. Something is taking shape.

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Finished the color! I feel I rushed it a little bit, but i'm reasonably happy with the finished product. If I tried to perfect it, I'd never get it done >_< I've added some new background details, some new peeps and edited the dialogue a lil' bit. I feel very strongly that an immersive world is part of good storytelling, so I try and sneak details in wherever I can, such as the graffiti in the second panel. I am, in fact, unsatisfied with that graffiti. It's not magical enough. what does magical graffiti look like, I wonder? Do you guys have any ideas?

“If you’re not a fan of the work, simply scroll pass and move on. Just an idea.”

The final piece, enjoy! I got the idea from the song Invasion by Iniko.

The idea came in a form of a song, Invasion by Iniko. Part 2 coming tomorrow.