idea

These were drawn on different days, in different places. A salt shaker and sugar rack at Beans & Barley on Milwaukee’s East Side—a place that is gone now. A chair at Starbucks, which is still there. When I go places, I wait. Waiting is filled with observation. Observation is recorded with marks. Marks spark memory. I can look at a few pencil lines years later and remember where I was. Maybe that’s what a sketchbook really keeps. Not drawings of things, but evidence of moments. For Doodle Addicts, I would use this rather than making Beans & Barley the whole story. The loss of Beans & Barley gives one sketch poignancy, but your larger idea is better: drawing converts otherwise disposable waiting into memory.

Been sketching ideas for cartoons (for my second Fried Baloney book, eventually). I'll crop bits of the drawings and post them here.

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

I was watching a music video where the idea came from. I had this piece unfinished in my ipad until I watched the backrooms. I then knew it needed to be done.

Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections: I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything. I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works. An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life. Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features. The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.

Tried drawing a mermaid yesterday because why not, as I always say… unfortunately my first few attempts looked like someone punished a toilet, so I nixed that idea until now. Third (I think) time lucky?

I do not know what is this... I just happened to draw it on a whim.

I'm sketching ideas for future ink cartoons, and thought I'd share pieces of the art rather than the full image. No spoilers yet :)

I get these ideas and just draw them.

Just another day of struggling with it. Motivation feeling quite a bit dry, even if my brain is overactive with ideas. Decided to just say "screw it" and went with this doodle.

More animal themed ideas. I used a sea otter as a base for this particular ecosystem. There are all kinds of creatures and little treats hidden within. : ) Artwork by Janelle Dimmett. www.janelledimmett.com

I drew this mechanical horse. I had this idea of making my favorite animal with gears and plates and all kinds of weird stuff. Eventually it grew into this large drawing. Mechanical Horse - Mixed Media (Ink and Procreate) - Janelle Dimmett 2026 - www.janelledimmett.com

Some expression! I had a funny idea and went with it.

When I listen to music I come up with ideas. Well here it is.

A playful and vibrant hand-lettered tribute to the universal language of comfort food. Featuring whimsical doodles of pizza, donuts, ice cream, and fried chicken, this design captures that "treat yourself" mood perfectly. Ideal for foodies, snack lovers, and anyone who knows that sometimes a donut is the best therapist.

Day two of my art training! It took way too long, haha. So, anyways, this is my DnD character, Pox's, dad. I have no idea what to name him because lately, I have been very uncreative. Anyways! This guy is the god of illness and poison, and is just generally really cool. I like him, even if I don't like this drawing all too much.

DAY ONE OF INTENSIVE ART TRAINING! Okay, back up, calm down... So! A little background. I am going into INTENSIVE ART TRAINING because I'm not the best at drawing humans. I want to get better so I can draw people, characters, and find my style. There will be 50 days, and this is day one. This drawing came from an old sketchbook from middle school. I won't post the original drawing (it's...less than ideal...), but you can see this redraw of the character. Thanks for reading this!

And that’s a wrap from this current sketchbook! Closing things with some Peter Falk wisdom I’ve shared before, I think… “My idea of Heaven is to wake up, have a good breakfast, and spend the rest of the day drawing.”

This painting is from my little sister.

riding while looking at your phone is a very bad idea and can land you a fine in Amsterdam but I've watched people type whole messages while riding around the city.

If a thousand girls walked past under this tree not one of them would have the faintest idea that I am sitting up there. The pine cones are green and very hard. My feet are brown. And the wind is blowing right through my hair. Sculptor's daughter by Tove Jansson. #dailydrawing #toveJansson

I wanted to try some perspective drawing. But of course I need to make it crazy and shake the lines up. I have some ideas when I start to color it.

From the chaotic artist mind pours the energy needed to grow your future. A little seed takes growth in your life and stretches across everything manifesting ideas into tangible results.

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Ideas are transferred in different ways by different people

An idea sitting around in my head for some time. It came out today as a sketch, but I still feel that I am not ready to draw this for real. Next time, maybe.

Her name is Wendy, and I don’t know how I got the idea for her...I just wanted to draw really fluffy hair and she came out of it. Lol...It's also been forever since I've on here...I've been busy with work, but I'm finding that drawing again is really helping me wind down. So I'll probably be posting more again.

There’s nothing worse than being betrayed by someone you thought you could trust. I had been in the crypto game for a few years, and a friend I’d known since high school was deeply involved in my investments. We both shared access to a joint wallet, and I genuinely believed we were working together to build something meaningful for our future. Then one day, I woke up to the horrifying news that all $450,000 worth of Bitcoin in our wallet had vanished. My friend had moved it without my consent and completely ghosted me afterward. I felt a rush of emotions: fury, betrayal, and helplessness. I was lost, unsure of how to trace the funds or even where to begin my search. In my desperation, I confided in another friend about what had happened. He recommended Salvage Asset Recovery saying they specialized in cases like mine, where trust had been shattered. Initially, I was skeptical. After all, how could anyone help me recover my money when I felt so powerless? But the idea of reclaiming what was rightfully mine pushed me to reach out. From our very first interaction, Salvage Asset Recovery impressed me with their professionalism. They listened carefully as I shared my story and took down every detail of my case. They explained how they could trace the transactions and what steps they would take to locate my lost funds. For the first time since my friend’s betrayal, I felt a flicker of hope igniting in my chest. And thanks for that hope. Within days, they managed to track where my funds had gone. In a miraculous turn of events, they recovered nearly all of my Bitcoin. The relief I felt was immense, like a heavy weight lifting off my shoulders. I could finally breathe again. If you ever find yourself betrayed in the crypto world, as I did, Salvage Asset Recovery is the lifeline you need. They are more than just experts; they are dedicated professionals who understand the pain of loss and injustice. Trust me when I say they can help you navigate through the dark, providing the support and expertise needed to reclaim your financial future. their contact details Email. salvageassetrecovery@alumni.com Telegram@Salvageasset

I've burned through 6 weeks straight of non-stop drawing. I think it means I'm healing up from a painful relationship I needed to end. Sometimes we attract someone due to a perceived chemistry. Then one day we wake up and realize that chemistry is acid and this isn't actually love. This is a distortion. And I don't need to walk through this pain anymore. I've actually grown enough to recognize that being alone, without pain, is a thousand times better than being with someone who refuses to recognize their behavior. Some people have no idea that words can do much more damage than a weapon. Words can kill. If you can't control your tongue, then don't speak. Make this a rule for your life if you care for someone.

This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice. * Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head. * Symbolism: * The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading. * The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.