para el dia 21 de Marchusic, aunque no estamos en el mes de orgullo igual cada vez que escuche esta canción lo primero que se me viene a la cabeza es (Mr.) X qué le queda bien con dicha canción (sí se lo están preguntando si lo conocí gracias a esa escena de 31 minutos)
Turns out, leprechauns don’t need rainbows to find pot (of gold) in Amsterdam—just a solid set of wheels. This guy’s off to chase some lucky breaks, one tiny pedal at a time.
Illustration by me, because St. Patrick’s Day needed more bikes.
For the 17th of Marchusic, I couldn't think of what to do for this beautiful Meccano song so I made a small reference to the famous moon rabbit with COOKY
for the 16th of Marchusic, sometimes dragegs although he is a dragon mixel stronger than a volcano when he thinks of Delirilamy he becomes hot as a kettle of water (by the way I decided to redesign it because I felt that his original design did not look like a mixels)
For the 14th of Marchusic something related to the Vocaloid song based on the famous theory of the Nickelodeon series Rugrats in this case Wenda takes the role of Angelica, here with the Pinki, Gray, Brud and Tunner dolls..
For the 14th of Marchusic, I drew Policarpo, who sometimes doesn't have a good day, even though he has his friends. He remembers that his acquaintances in the ranking don't treat him like family
para el dia 13 de Marchusic he decidido aprovechar para dibujar esta tierna parejita de hamster con esta canción sobre todo porque me recuerdan a Hamtaro y Bijou
the wounded soldier is no longer just a man begging for mercy - he is infected with something dangerous, which makes him aggressive and possibly uncontrollable. His outstretched hand may now mean not a plea, but an attempt to grab the protagonist, which increases the sense of threat.
The soldier's eyes, wide open and seemingly filled with fear or madness, now look like a sign of loss of humanity. The blood stains on his clothes are no longer just traces of battle, but perhaps the result of his own aggression.
The chains in the background can be interpreted as a symbol of restriction or control over the infected - perhaps he was captured or locked up, but was able to break free.
