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An original character a made for a collaborative world on unvale. io, her name is blood and she's been looking for her little cousin, Entity, ever since the eating epidemic started. She's quite anxious and a little shy but she usually warms up to people pretty quick.

This one is my " other style " oddly I have two different styles of art , sometimes I feel very sci fi / fantasy , and other times I feel more like drawing animals . I've noticed that my style changes depending on which mood I'm in . It's been a while since I did any of these , this one is from a couple years ago .

Artist @asherbingham.fineart initiated a project offering free paintings of homes lost in the recent Los Angeles fires. Since announcing this on IG, she has received over 1500 requests and enlisted volunteer artists nationwide to assist. This is one of 35 homes I've painted.

the wounded soldier is no longer just a man begging for mercy - he is infected with something dangerous, which makes him aggressive and possibly uncontrollable. His outstretched hand may now mean not a plea, but an attempt to grab the protagonist, which increases the sense of threat. The soldier's eyes, wide open and seemingly filled with fear or madness, now look like a sign of loss of humanity. The blood stains on his clothes are no longer just traces of battle, but perhaps the result of his own aggression. The chains in the background can be interpreted as a symbol of restriction or control over the infected - perhaps he was captured or locked up, but was able to break free.

And that wraps up February, at last!

I tried to depict a glowing rainbow bottle, but the glow looks more like that of an incandescent bulb. Yeah, the missing set of blue markers didn't help either. I'd really love to hear any suggestions

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

So, I drew my BSD OC character, Noa. Trying anime after learning new things. I'm not really happy with her hair. I need to think about her design more. "Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

I haven't been here for a long time... I'm back with new art! I tried to draw it in the same ✨Chinese✨ style, ha-ha! I like it, I think it's not bad for the first time. o(〃＾▽＾〃)o This is my character (my friend and I share), but it seems to me that the translator translates his name incorrectly, so I'm not inserting it here. o(╥﹏╥) P.S.: smiles at his husband, he-he-he. (☞ ͡ ͡° ͜ ʖ ͡ ͡°)☞

It’s been a while since I did some Pokemon fan art, thankfully my girlfriend knows my tastes in plushies all too well!

“You saved me, my heroine!” For a guy who almost got eaten, he looked way too pleased. “That’s worthy of, well, an award, you know!” He tapped his split lip thoughtfully, lying on the ground as if nothing had happened. “Ah, Zero Year may be over, but I think it’s only fair for me to name a month after you. What do you say?” His impractical coat was all messed up, his hat laying a little to the side, just as dirty and caked with snow. “It’s january, isn’t it? It’s Amberary now! Maybe not for all of Gotham, but for me for sure.” He grinned. What the hell is he saying? Why bringing up those old words? Ridiculous. Amber failed to hold back surprise in her eyes, but she almost managed to stop herself from smiling in time. Almost. He noticed. “… Get up.” --------------------------- Long story short: Amber saved Ed from predators, and he decided to be extra with his flirting. I remembered Edward's words from “Zero Year” about naming months after gothamites heroes and an idea came to me… This scene will definitely be in a fanfic, for which I have an underdeveloped idea, and which I will definitely not write. %) In any case, this is roughly how I imagine ZY!Eddie flirting, in addition to all the other headcanons. My vision of him is too different from ​​how most of the fandom sees him . xD I’m trying to jump above my head again, not having the skill in background, clothes, drapery, and full body, especially since I almost never drew two interacting characters. My most ambitious work so far. But I’m happy!

Doodling of the Day

I forgot to post it here. I got better at drawing her. I tried a more '80s anime style recently but will keep at this style since that's how I draw. I love her even though she's not intended to be a main character

Two fairies collect crystals in this 8.5x11 inch pen and ink illustration

I was kinda bored when I drew this, so it came out in the art work. Incidentally, this guy looks a bit like a character in the nameless city series of graphic novels, which I finished reading recently. The first book is rather heavy handed, but the last two are much better by comparison.

Posted the sketch of this earlier, but I thought the ink looked nicer, so here you are! I love dragonflies. Deadly hunters, slaughtering their prey without mercy, yet beguiling enough to somehow convince humans they are harmless as butterflies. They have their own sort of deadly, sleek beauty.

You’re an ass Storm Eowyn, that you are! Alas I have time to draw, so… swings and roundabouts eh?

Another vampire I created for my world, a few years ago I created Mademe. But she wasn't created as a vampire originally, but since shes mine I can do what I want. She is sexy, powerful, intelligent and she would kill you in cold blood. She stands alongside Aledric (he is still in development), not as a wife but his ally. She is also known as the mother of the clan.

David Lynch (1946-2025) I like things to be orderly,” Lynch told a reporter in 1990. For seven years I ate at Bob’s Big Boy. I would go at 2:30, after the lunch rush. I ate a chocolate shake and four, five, six, seven cups of coffee—with lots of sugar. And there’s lots of sugar in that chocolate shake. It’s a thick shake. In a silver goblet. I would get a rush from all this sugar, and I would get so many ideas! I would write them on these napkins. It was like I had a desk with paper. “ - From Daily Rituals: How Artists Work by Mason Currey “I don't think it was pain that made [Vincent Van Gogh] great - I think his painting brought him whatever happiness he had.” ― David Lynch Thank you for all your amazing art! #dailyrituals #inktober #DavidLynch #goals @masoncurrey

2B pencil focusing on the eye, nose and mouth. The reflection today is a suggestion that we find what we look for, and we see what we want to see. Our family dinners include a sharing time of: 1. Who blessed you today? 2. Who did you bless today? and 3. What are you thankful for? It is suggested by some that if you focus on the abundance, you will not see so much of the lack, but if you focus on the lack, you will not be able to see the abundance so well. This was illustrated by the questions: "How many red cars did you see on the way to work this morning?" My answer was: "No Idea!" It is because I was not looking. If I was being given $100.00 for each red car I spotted, I would have certainly been looking, and maybe even getting creative with the definition of 'red'. What are you looking for? What are you finding?

Hi. Am I hard to see? You are free to look closer. This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity. Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.

I have a colored version of this in the works, if anyone is interested. I'll post it on request

I'm in immense emotional inconsistency and I miss this person so much. -I remember painting this in the month of October... around sunset, at the terrace with cheap acrylics and 1 paint brush on a foamy material that comes with jeans or cloths.. I made this in appreciation of a person i love..

this was a sweet gift I did for Christmas for my mom & dad - they love traveling and Telluride, CO, has become their second home! my mom loves Aspen trees and the mountains, found it only fitting they be included in this collaged painting I did for them. I used gouache paint for all landscape and watercolors for my parents. It was fun combining the two paint types and my first attempt using gouache paint - I loved it!

4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”

Acrylic on wood sized 4x4 inches

They prefer chilling at home over going out. Dalena's still new to drink and hasn't left the floor since