Filled in this sketchbook page with heavy black ink and dark blue marker strokes to make the orange and yellow glow pop. Drawn with technical pen and alcohol markers.
I've been thinking about this for some time now. I possess a plethora of incomplete artworks, and I ultimately chose to push through the countless pieces in development and stumbled upon this one. I can't believe this one went unnoticed.
This is Taffy, a mixed Shih Tzu, Bichon Frise, and Terrier known as Shichon Terrier.
Please kindly show him some affection!
#doglovers #dogportrait #dogportraits #dogsketch #dogdrawing #dogart #dogartist #cutepuppy @bampidraws
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
#23 Dizzie the Cat, my OG sonic fan-character - I Haven’t drawn anything in a long time because I feel like Ai has devalued artists and my stuff was never popular anyways. I don’t know what possessed me to draw this last night. But remember back in the day when people drew their own Sonic fan characters on deviant art? Well, I finally gave in and created my own.
Another addition to my Tool Series—this time a tape measure, the symbol of accuracy, patience, and work ethic. I signed it with Patmore 25 as a nod to the years it has taken to become the artist I am today. Just graphite, ink, and intention… transformed into something that feels alive.
Continuing my insect series. This yellow jacket was drawn with Micron pens and water-based markers. I used graphite for the shadow and a Gelly Roll pen for highlights.
School art. At my previous school, during lessons, I created what I call 'folder art' (doodles on school folders) This particular piece features doodles of girls, celebrating girl power
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
