This is the very first charcoal portrait I ever made. I think I spent about 25 hours on this piece over the course of a week. Portrait Model is a Japanese singer (Gackt) and a reference photo was used. Size is 18x24 inches.
my moms best friend mandy died I call her nani because she was watching anime with a kid and they heard what in Japanese witch is nani and they called mandy nani and I just caught on to it what killed nani was cancer she loved Scotland things like clovers and green she never toke off her clover necklace she wears that thing even in death she was my godmother the sad part was that unlike the last time she got cancer she did not fight it this time she would be mad to know how sad I am about this
Whether the script in the background is an actual sutra is not the concern, even if it is, would it be readable to most? I question the use of lines in Calligraphy. Without the recognition of the exact words or meaning, can we still appreciate the quality and skills involved? Armed with a Chinese writing foundation, I adapted the use of the eight strokes (the basis of construction to Chinese character). The `writings’ resembles Chinese/Japanese writings but in fact, they are not. I needed a texture. With language as a symbol of culture, by visually adapting these kind of lines endears us to the image.
Pictured is Lilac, a female original character I created in spring. Her design is inspired by traditional japanese fashion and attire, but I gave it a modern twist to fit into a more futuristic setting.
