A bit of a departure from my usual style. I wanted to try something a bit messy, fast, and loose. The scene is an ancient woodland in Pembrokeshire called Tŷ Canol, an atmospheric place and full of inspiration for artworks. Pen and watercolour in Seawhite sketchbook.
Gwenffrwd-Dinas is an RSPB nature reserve out in the wilds of mid-Wales. You could easily miss it driving past, but if you do park up, you're treated to some gorgeous scenery. Here the river Tywi (the longest in Wales) flows past the wooded riverbank then through a rocky gorge on its way down to Carmarthen. Pen and watercolour on watercolour paper (6x8").
Llyn Mymbyr, Snowdonia. This view looking in the opposite direction to Snowdon. First time using a Uniball UB-150, but the paper allowed it to bleed somewhat so the lines were a little heavier than intended. I think it would benefit from better quality paper or a finer pen.
My first art of 2021, and the first in about 7 months after feeling blocked since last year. Reference was some random photo of a house on a country lane from when I used to go for long walks in Sussex. I decided to push myself into doing some form of artwork every day. This was the result from day three.
A colour sketch of woodland near my home. I'm still not sure whether to turn this into a larger piece or not - or maybe I could switch medium and try it in watercolour?
I started this oil painting in Feb 2020, and finished it in April the same year. I guess it's a tribute to Welsh beaches in winter - miles of sand, and barely anyone around.
A colour sketch of Llyn Brianne in preparation for a much larger piece. The sketch was done in acrylic, but then I changed my mind and started the full-sized piece in oils.
A 4x6" colour sketch of Amroth Beach, Pembrokeshire in preparation for a much larger piece. The light that day was gorgeous, but the level of detail in the distance really could do with a larger canvas to make the most of it.
A 4x6" colour sketch of Sgwyd Gwladys in preparation for a much larger piece. Sgwyd Gwladys is a beautiful waterfall - one of many on the Neath 'Waterfall Country' walking route starting in Pontneddfechan.
I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.
In late 2018, I started trying to be a bit more playful with art and experiment. This was a quick watercolour sketch I did. I'd like to revisit this one as a full watercolour painting.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
My first foray into oil paints in 2017. This one is inspired by the view from the mountain pass (a road featured several times on Top Gear). Being new to the medium, I had a lot to learn about how it worked. I'm still not sure whether I'm happy with it or not, but I think it would be worth doing again now a few years down the line.
The reference for this painting was a quick snap I took at the roadside on a trip up to Angelsey. Didn't really manage to capture the scale or the atmosphere.
I know it looks a little sunny, but the reference photo for this one was a winter shot. It's the countryside in the hills surrounding Carreg Cennen castle, Carmarthenshire, Wales
