Been some time since I touched the pencil. It wasn't easy to get back to drawing, since I was also distracted by the internet for some time. Lots of things went through my head, while I was out on a trip. Just drew whatever I felt like drawing, and this came alongside some reflections:
I have been stuck on fixing this character concept for a very long time, trying to box it within a classification. Bird, wyvern, dragon, shadow, whatever- I came to a point today, where I felt that it really doesn't matter anymore. This is that sort of character who can be everything.
I spent the entire afternoon trying to arrange all the little ideas and features, following true to creative intuition. Smashing together many of my previous character designs, this appeared. A masked and unnamed figure (???) with traits from many of my previous works.
An avian / draconic / spiritual shapeshifter has always been something with me all this time, even when I tried to create a sona years back (finding it meaningless). True to its nature, it has few lively features except its eyes and requires a mask to display additional signs of life.
Its clear that this character is basically a symbolic self-expression. It wasn't easy to seperate myself from my introjective tendencies, which easily distorts my concept of this figure (took weeks to untangle). Once the confusions loosen, it reappears with noticeably familiar features.
The scribble above still has some room for rearrangement, just limited by the irreversible nature of pencil drawing. The grey markings were too dark, and the feet might look better staying white. The pale golden underbody markings, were actually a surprise.
I don't know how the movie ends; I won't see it, considering my country, but all my headcanons are sequels to the movie.
I have no idea what happens to Tommy, but I hope my imagination is strong enough to figure out how to save him without breaking canon. Otherwise, this is all AU.
The OC's name is Caroline Shelton. She belongs to the middle-upper class; her father is quite wealthy, so she knew no hardship much. But she is eccentric and zealously strives for knowledge, has many hobbies and is skilled in many things because of her pursuits. Basically, all she cared about in life was intellectual development. She had only one friend who could stand her personality and temper, James Holloway. Some time later, he disappeared, and Caroline received his bloodstained watch from an anonymous sender with no explanation, only the mailing address from which the anonymous sent the package.
Caroline couldn't think of anything better than to dress up as a man and travel to the town the package came from, introducing herself as James Holloway and gaining fame with her skills. She hopes that if the anonymous hears about an albino man named James Holloway in the town where they might live, they'll contact her again when they hear about her. Her logic is this: this person sent a package containing something important to Jim to her, so they must know something about Jim, her, and their friendship, and if they hear Jim's name used by an albino, they'll understand everything. So she sets out on a dangerous journey, making herself a kind of beacon/signal for the anonymous sender to find them and through them to find Jim or learn what happened to him.
Inktober Day 31.
Award.
"... and suddenly you're there, where it was you were going."
- Mary Ruefle
This inktober went in a full gallop. I held on for my dear life.
#inktober #inktober2025 #award
... is a tease for a dwarf; starvation for a giant.
x x x
This drawing isn't about cakes or Smurfs.
People have different needs in life.
People have different perspectives and different thresholds for things like fulfillment and pain.
x x x
"There is nothing in the world bigger than the tip of an autumn hair, and Mount T'ai is tiny." -Chuang Tzu
A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed.
First posturing:
-A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual.
Second posturing:
-A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement.
Third posturing:
-The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing.
(Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)
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Charles Darwin (1809–1882)
From the time he arrived at Down House until 1859, when he finally published On the Origin of Species, Darwin led a double life, keeping his thoughts on evolution and natural selection to himself while bolstering his credentials in the scientific community.
Meanwhile, he divulged his secret theory to a very few confidants; he told one fellow scientist it was “like confessing a murder.”
- From Daily Rituals: How Artists Work by Mason Currey
“Ignorance more frequently begets confidence than does knowledge: it is those who know little, not those who know much, who so positively assert that this or that problem will never be solved by science.”
― Charles Darwin, The Descent of Man
#dailyrituals #inktober #CharlesDarwin @masoncurrey
René Descartes (1596–1650)
Descartes was a late riser. The French philosopher liked to sleep until mid-morning, then linger in bed, thinking and writing, until 11:00 or so.
His comfortable bachelor’s life ended abruptly in late 1649, Descartes accepted a position in the court of Queen Christina of Sweden.
Descartes accepted a position in the court of Queen Christina of Sweden,Arriving in Sweden, in time for one of the coldest winters in memory, Descartes was notified that his lessons to Queen Christina would take place in the mornings—beginning at 5:00 A.M. He had no choice but to obey. But the early hours and bitter cold were too much for him. After only a month on the new schedule, Descartes fell ill, apparently of pneumonia; ten days later he was dead.
- From Daily Rituals: How Artists Work by Mason Currey
“Dubito, ergo cogito, ergo sum.
(English: "I doubt, therefore I think, therefore I am")”
― Rene Descartes
#dailyrituals #inktober #reneDescartes @masoncurrey #wouldratherdiethangetupearly
Louise Bourgeois (1911–2010)
“My life has been regulated by insomnia,” Bourgeois told an interviewer in 1993. “It’s something that I have never been able to understand, but I accept it.” Bourgeois learned to use these sleepless hours productively, propped up in bed with her “drawing diary,” listening to music or the hum of traffic on the streets.
“Each day is new, so each drawing—with words written on the back—lets me know how I’m doing,” she said. “I now have 110 drawing-diary pages, but I’ll probably destroy some.
- From Daily Rituals: How Artists Work by Mason Currey
“I am not what I am, I am what I do with my hands...”
― Louise Bourgeois
“Every day you have to abandon your past or accept it, and then, if you cannot accept it, you become a sculptor.”
― Louise Bourgeois
#dailyrituals #inktober #LouiseBourgeois @masoncurrey
