I reach the crossroad, look to the right, and then to the left. Couldn't tell which way to go, downtown had always got me confusing. I crossed the street, the light was red.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
My original character, Yomi, has a fascination with light. These lamps you see might look familiar to you, but Yomi is among the first to discover the beauty of colored light. He shares it with the neighbors in his town and the eyes of dazzled passerbys. ---- 1/3 part of a new series called Fractal City.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
A study / re-imagining of John William Waterhouse's Mermaid. I really overworked the paper on this one, and I wish I had chosen a lighter color to line her, but I love how she came out!
I decided to practice posing with a character that has a certain style. I also wanted to test a design for my artist logo. I will definitely be making a digital version of this character in the near future. Colored with Artify alcohol-based markers, and a white Gellyroll pen for highlights.
My tribute to my good friend who died earlier this year. Another white pastel on black paper. Not my favourite media but I love the effect of it. I need to practice more as I can't get my head around working on negative lol, erasing to get shadows and filling in to get highlights etc. I used a chunky white stick and a white pastel pencil but detail still eludes me lol. It's a technique I need to refine. It's the second picture of a dead person I've put on, apart from humph, so I'm a cheery little soul aren't I lol? Thanks for looking
Progression 2 of 6. Spent some time here in the hair, beard, and eye. The transition in the hair from light to dark was done mainly by not adding in graphite in heavy amounts and using the pencil eraser to define the hair.
This is my character Myscria - level 10 druid, tiefling and looking older than she should because...well, I haven't quite mastered drawing specific age ranges yet. She's only about 22/23.
Consume these branches swollen by humanity fractured in dim lights, though feature promise in deeper efforts of kindness, blood cover our parts closer. Thoughts wonder red fever beneath bones of oceanic memory, to voyage away and try to understand this method. Extinction loom over these motions, while further be the faint reminder of our fate.
Canvas mounted on wooden frame. Size: 25 x 30 cm Materials: acrylic, Chinese ink, brush, pen and marker. Is sold the original piece. For this reason, there may be slight differences from one piece to another.
Sometimes I like to draw things in the reverse (filling in the light areas, leaving the dark areas bare) and then flip them to see how I did. Today's warmups turned out pretty well. My favorite is the kid on the top, whose head & hair echo the strawberry shape. I wish I'd distinguished the girl's legs from the dog's body on the left more, but overall, not bad.
Color pencil sketch filled in with Copic Marker and highlights with Uniball Signo gel
pen. Drawing of Sailor Jupiter and her famous bento (with a fork because I’m awful :0 ).
