I've been working on portraits so much that it's taken up most of my drawing time. I miss the simpler things like trees and mountains so today at lunch I drew this tree.
A value study I did with my friend for practice. Based on a D&D picture we found online. First time using different shades of markers, so it isn't the cleanest piece when looking at it up close.
A bazillion little round circles and almost as many lines and it still looks static. Sheesh. I'll be working this idea to DEATH over the next few days....
Digital is great -- for composition and color. But for line art? I don't think I can ever give up the fountain pen. This was drawn with a Sailor King of Pen (M) and Sailor 1911L (EF) fountain pens using Pilot Black ink. Yes, sacrilege. Pilot ink in a Sailor. But I have some Kiwa Guro arriving soon!
I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
Fun fact: This, some 34 years ago, nearly became the title of Pixar’s first short “The Adventures Of André & Wally B.”.
You learn something new every day folks...
So, I really wasn't going to participate in inktober this year because of time constraints. But I saw some simple line art stuff from others that looked fun. I'll see how far I can make it this year.
Drawn with a Sailor/Wancher Turquoise 1911L. The M nib on this pen comes to a sharp point which allows for some line variation not from flex but based on how deep the firm nib digs into the watercolor paper. The Noodlers Black ink is a little dry and that contributes to this effect.