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Jim Bradshaw Jim Bradshaw Plus Member
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Inktober 2018 day 5. Chicken

My first submission to inktober 2018 on day 5. I'm not sure if I will make up days 1-4. It all depends on a wonderful thing called time. Arrrrgh!

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Bleu Hope Bleu Hope Plus Member
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“Inglis/Floating”, September 2018.

All this and possibly some other things.

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Bleu Hope Bleu Hope Plus Member
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Jeannie Tirado, September 2018.

I needed inspiration and was lacking a title so, yeah...

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Junkyard Sam Junkyard Sam Plus Member
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Throwing His Computer to the Water Robots

New drawing drawn with my Sailor Fresca Tangerine 1911s F fountain pen. Ink = Noodlers Black American Eel. Color coming next.

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Bleu Hope Bleu Hope Plus Member
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“Residual”, September 2018.

When you still have some energy left over from a creative marathon that happened the night before...

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Bleu Hope Bleu Hope Plus Member
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Keeping The Seats Warm, September 2018.

Four Tet's good for my creativity, no doubt about it.

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Tanya Shyika Tanya Shyika Plus Member
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Notes from NYC: Highline

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Junkyard Sam Junkyard Sam Plus Member
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Pandolin Coraflot - Line Art

Drawn with a Sailor/Wancher Turquoise 1911L. The M nib on this pen comes to a sharp point which allows for some line variation not from flex but based on how deep the firm nib digs into the watercolor paper. The Noodlers Black ink is a little dry and that contributes to this effect.

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mary ann hanlon mary ann hanlon Plus Member
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Quirky character class sketch

Character from an online class

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Junkyard Sam Junkyard Sam Plus Member
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The Right Pen For The Job

The Right Pen For The Job: Started with a Pilot Custom 742 PO. Finished with my 3776 Century UEF. Ready for color.

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OKAT OKAT Plus Member
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Untitled

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OKAT OKAT Plus Member
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Untitled

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Julia Hill Julia Hill Plus Member
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Floral Alphabet

Drawn in pen and ink this is the original drawing in black line.

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Angela Martini Angela Martini Plus Member
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Lines

Pilot brush pen on paper.

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mary ann hanlon mary ann hanlon Plus Member
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Napkin Challenge - one day too late :(

Napkin challenge, I missed the deadline but figured I might as well upload the file.

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FRENEMY FRENEMY Plus Member
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Burger Fight!

illustration for a comic

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Julia Hill Julia Hill Plus Member
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The Owl & the Pussycat

The Owl & the pussycat black & white line illustration fro the poem by Edward Leah.

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Julia Hill Julia Hill Plus Member
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Hansel & Gretel
1/4

A series of images telling the story of Brothers Grimm's Hansel & Gretel. There are 8 images in the series.

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Angela Martini Angela Martini Plus Member
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Lines

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OKAT OKAT Plus Member
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Line Study No. 2332

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OKAT OKAT Plus Member
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Untitled

Line Study No. 1809

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OKAT OKAT Plus Member
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Untitled

Line Study No. 2237

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OKAT OKAT Plus Member
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Untitled

Line Study No. 2249

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Juice_Lime Juice_Lime
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Scribbles: Important Curvy Lines

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

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BeastGurl1989 BeastGurl1989
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Concepts

I have a bunch of outlined works that I had made. Most are concepts that might not get finished.

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Joselo Rocha Joselo Rocha
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Selective Ignorance

A striking hand-drawn conceptual illustration featuring a brain wearing a colander like a helmet, titled "Selective Ignorance." This piece explores the conscious choice to filter out the noise of the world to protect one's mental clarity and focus.

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John Jenkins John Jenkins
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Untitled, detail

A more or less 6-sided shape, detail, drawing in progress on 14"x17" copic multiliner 0.3

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BeastGurl1989 BeastGurl1989
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Beast as a cat!

I found this song and all I could see was this dancing in my head. I knew I had to get it down. https://youtu.be/5uy0Ie5otVQ?si=xKHRC54UemB3U1dp

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Juice_Lime Juice_Lime
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What are you looking at?

A random sketch that became a drawing practice. Even tried to sketch the outlines of some coat. What happens when one draws without a proper plan or skeleton, ending up with a "lifelike perspective".

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Jufi Jufi
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Exist

https://jufispaces.blogspot.com/

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