Drawn with Clip Studio Paint and XP-Pen Artist 15.6 Pro pen display tablet.
Critically Endangered The White-headed Vulture has undergone catastrophic declines in population number, with an estimate median decline in 96% over three generations (45 years)
This decline has been seen in its very large range from West Africa, across to southern Africa also. Reductions in populations of medium-sized mammals and wild ungulates, as well as habitat conversion throughout its range best explain the current decline. Additional threats include indirect poisoning at baits set to kill jackals in small-stock farming areas. This species is also recorded in trade in West and Central Africa as this species is used for both traditional medicines and also they are intentionally killed for use in witchcraft. This species is part of the Accipitridae bird family, which diverged from all other species of bird 49.6 million years ago during the Paleogene period. Vultures split from the other genera in this family 12.7 million years ago. This species is highly sensitive to land-use and is concentrated to protected areas. Individuals were marked with patagial (wing) tags in Fouta Djallon vulture sanctuary to monitor movements and for a toxicological assessment of the vulture population of the park. Additional studies to monitor the movements of individuals within and between protected areas in underway is South Africa. Info: Edgeofexistence . org #birdlife #birds #birddrawing #birdsketch #whiteheadedvulture #vultures #bampidraws
A delicate, hand-drawn study of the Blue Liverflower (Hepatica), capturing the first signs of spring. This design features breezy blue petals, energetic linework, and a minimalist vase, blending a classic botanical feel with a modern, sketchy illustrative style. Perfect for those who love the quiet beauty of forest wildflowers and cottagecore-inspired art.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
This is my avatar, a mix between Frankenstein, a Vampire (Mainly a Pricolici), and a Krsnik. I will eventually add shading, lighting, color, I will edit the linework and I will edit the etch marks.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
A whimsical illustration of a large horn-whale creature with fangs, an anchor tattoo on his fin, and a tattoo of how many ships he has sunk on his back, with a whale rider perched on its back, is surrounded by gentle waves. The contrast between the massive creature and the tiny rider suggests a playful narrative. The muted colors and simple lines create a charming and imaginative scene.
Drawing up my friend's OC again. I tried to make him in a more dynamic or badass, but I couldn't do it. So, I went with this pose and focused more on the lining.
