lit

Charles Darwin (1809–1882) From the time he arrived at Down House until 1859, when he finally published On the Origin of Species, Darwin led a double life, keeping his thoughts on evolution and natural selection to himself while bolstering his credentials in the scientific community. Meanwhile, he divulged his secret theory to a very few confidants; he told one fellow scientist it was “like confessing a murder.” - From Daily Rituals: How Artists Work by Mason Currey “Ignorance more frequently begets confidence than does knowledge: it is those who know little, not those who know much, who so positively assert that this or that problem will never be solved by science.” ― Charles Darwin, The Descent of Man #dailyrituals #inktober #CharlesDarwin @masoncurrey

An original character a made for a collaborative world on unvale. io, her name is blood and she's been looking for her little cousin, Entity, ever since the eating epidemic started. She's quite anxious and a little shy but she usually warms up to people pretty quick.

This is a little doodle of Finn from Dandy's world on whiteboard fox :3 This is my introduction post on whiteboard fox: https://r7.whiteboardfox.com/post/349007 Also my blogs that I yap on and post more art: https://dustbunnyboy.wordpress.com/ https://puppysplayroom.wordpress.com/

Silly little portrait of the BF

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

I made up the color but I made her while working on my sona for myself, I like her design a lot I should've used a reference her torso is a little short idk. I thought of writing an anthology series for her.

George Balanchine (1904–1983) Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule. - From Daily Rituals: How Artists Work by Mason Currey “I like to do things certain ways and I disagree with everybody but I don't even want to argue.” ― George Balanchine #dailyrituals #inktober #balanchine @masoncurrey

A little while back I started doing little triptych cartoons, something I could have fun with and zip off pretty quickly. Then I expanded them to four panels when it felt necessary. Some people think too deeply about my little toons and are confused about what's happening. I just tell them to look at it more simply, and not to overthink it. Like this one.

W. B. Yeats (1865–1939) A lyric poem of eighty or more lines took him about three months of hard labor. Fortunately, Yeats was not so careful about his other writing, like the literary criticism he did to earn extra money. “One has to give something of one’s self to the devil that one may live,” he said. “I give my criticism.”- From Daily Rituals: How Artists Work by Mason Currey “Life is a long preparation for something that never happens.” ― W.B. Yeats #dailyrituals #inktober #WBYeats @masoncurrey

he peers through the emerald fog, and with his sharp eyes, he can spot danger from far away.

Very random mind drifting, in a surprisingly good mood today. No matter how much has changed, this figure never dissappears. It continues to be something outside my drawing abilities, appearing as a highly abstract entity.

A little naughty Elf I made for Christmas.

Joseph Cornell (1903–1972) Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage. In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary). - From Daily Rituals: How Artists Work by Mason Currey #dailyrituals #inktober #JosephCornell @masoncurrey

Erik Satie (1866–1925) In 1898, Satie moved from Paris’s Montmartre district to the working-class suburb of Arcueil, where he would live for the rest of his life. Most mornings, however, the composer returned to the city on foot, walking a distance of about six miles to his former neighborhood, stopping at his favorite cafés along the way. According to one observer, Satie “walked slowly, taking small steps, his umbrella held tight under his arm. When talking he would stop, bend one knee a little, adjust his pince-nez and place his fist on his hip. Then he would take off once more, with small deliberate steps.” His dress was also distinctive: the same year that he moved to Arcueil, Satie received a small inheritance, which he used to purchase a dozen identical chestnut-colored velvet suits, with the same number of matching bowler hats. Locals who saw him pass by each day soon began calling him the Velvet Gentleman. The last train back to Arcueil left at 1:00 A.M., but Satie frequently missed it. Then he would walk the several miles home, sometimes not arriving until the sun was about to rise. Nevertheless, as soon as the next morning dawned, he would set off to Paris once more. The scholar Roger Shattuck once proposed that Satie’s unique sense of musical beat, and his appreciation of “the possibility of variation within repetition,” could be traced to this “endless walking back and forth across the same landscape day after day.” Indeed, Satie was observed stopping to jot down ideas during his walks, pausing under a streetlamp if it was dark. During the war the streetlamps were often extinguished, and rumor had it that Satie’s productivity dropped as a result. - From Daily Rituals: How Artists Work by Mason Currey

Imagining a cover design for an imaginary self help book. Case in point. LOL. // Playing with text positioning - putting "out" outside of the cloud text bubble for literal applied meaning.

para el día 5 de Fruitecember hoy le toca a galletas de papaya para este día decidí dibujar a la adorable bolita rosada disfrutando de unas cuantas galletas de papaya para el almuerzo

From my sketchbook. Portrait of a goth girl with horns, showcasing her style and personality.

This is just a little thing I colored, the lineart is NOT mine. I asked my friend what colors I should do for certain things and I think it came together pretty well. The shading is also done by me. I forgot to watermark this one ^^'

Drawn and colored by me, inspiration from a pause oc challenge on YouTube. Zayn is an escaped lab experiment with water elemental abilities. The cat on his shoulder is Raya, a stray that frequented the lab that he befriended. Zayn is a human with animalistic features and four eyes, marking him as unnatural. He is an original character, not based off of anything.

Made this one a while back

You can listen to nothing but rock music and wear nothing but black clothing and only date short guys in their thirties. Those are valid preferences. Choosing not to hire people of color or refusing to let trans people use the bathroom is prejudice.

Joan Miró (1893-1983) Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse. Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!” From Daily Rituals: How Artists Work by Mason Currey

Initiate of the Order of the Saints of the Scrapyard. All members of the order are entitled to the scrap of the mechs they fell (with the pieces they decline to use or take with them being tithed). To join the ranks proper, an initiate must fell an enemy pilot and bring their mech to heel (often by detonating the cockpit and going from there)). Initiates are given little more than a fusion engine (that may double as a shaped charge (or a death sentence depending on their luck)), a kinetic energy recycler (and shield for it to power), a small pile of scraps to build the rest of their sled, and a book of prayers for the scrapyard saints. Most will not graduate their initiation, ending their short stint as little more than ash on the breeze.

A little digital painting based on a traditionnal sketch I did, then wanted to develop in a slightly cleaner version

I've been going through my sketches, both completed and incomplete, and found a drawing of a young Sumatran Tiger that I began working on around two years ago, but never completed. I'm actually relieved that I didn't draw it earlier, as it has allowed me to gain more experience in illustrating this stunning creature, which is unfortunately a species at risk of extinction. A few facts about the Sumatran Tigers... The Sumatran tiger Panthera tigris sumatrae*, the smallest tiger subspecies, is critically endangered and stands as the final surviving species of island tigers. Poaching poses a significant danger to Sumatran tigers as hunters target them for their skin, bones, and canines. Additionally, habitat loss caused by oil palm, coffee, and acacia plantations, further endangers these big cats by reducing their prey availability and pushing them closer to human habitations. It is estimated that there are fewer than 400 mature individual tigers in Sumatra in isolated pockets of protected land. Three of the protected areas are classified as UNESCO World Heritage Sites but all are in danger of losing this status due to threats from poaching, illegal logging, agricultural encroachment, and planned road building. It is for these reasons the Sumatran tiger is classified in the most severe IUCN status: Critically endangered. Description: The Sumatran tiger is the smallest and darkest tiger subspecies and tends to be more bearded and maned than the other subspecies. Male tigers can expect to reach somewhere in the region of 120kg and 8ft from head to tail vs females who average 91kg and 7ft length. Breeding: Female tigers are sexually mature at about 3 or 4 years of age, and males at about 4 to 5 years. Mating may occur any time during the year, but it most frequently takes place from November to April. The information was obtained from conservewildcats.org. Thank you. #indonesia #criticallyendangered #sumatrantiger #amateurartist #tigerdrawing #tigersketch #tigercub #sketchadayapp #october2024

Anthony Trollope (1815–1882) "All those I think who have lived as literary men,—working daily as literary labourers,—will agree with me that three hours a day will produce as much as a man ought to write. ... "I always began my task by reading the work of the day before, an operation which would take me half an hour, and which consisted chiefly in weighing with my ear the sound of the words and phrases.… This division of time allowed me to produce over ten pages of an ordinary novel volume a day, and if kept up through ten months, would have given as its results three novels of three volumes each in the year..." From Daily rituals by Mason Currey #dailyrituals #inktober #anthonyTrollope @masoncurrey