As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
Daily drawing (#306) of the Joe Rogan Podcast of the intellectual, logical thinker, Sam Harris. Pencil drawing and colored in Procreate. (Time lapse animation of color being applied can be seen here; https://www.instagram.com/p/Btm4QEhASw4/)
No, I can't get it out of my head, now my whole world is gone for dead. This song has been stuck in my head for a while now, kind of interesting. I apologize for the long ramble of reflection this will be, but here I go. It's been an interesting few weeks, ups and downs, odd mindsets, but here I am. I don't know, quarantine has shifted a lot of things for everyone, and I've noticed a lot of changes in myself. I jokingly say I'm becoming soft, but it's a bit true, in a good way. I'm thankful for so many people in my life, and I'm finally letting those people how much they mean to me. I know I've said this before, but gymnastics has really been getting me through, and I'm proud of all the progress I've been making recently. My coaches make my life better, they're just incredible people and I love them so much. Thank you to the person I had a whole long text conversation with tonight (you know who you are) and for always dealing with my chaotic self. And finally, I've started to accept who I am, and that's a nice feeling. There's still the dark parts, the static still consumes me from time to time, but tonight was a good night. Thank you for all the support from everyone (in and outside of this community!). I genuinely appreciate all of it
Joseph Cornell (1903–1972)
Cornell worked nights at the kitchen table, sorting and assembling materials for his boxes. It was not easy going. Some nights he felt too fatigued from his day job to concentrate on his art and would sit up reading instead, switching on the oven for warmth. In the mornings, his quarrelsome mother would scold him about the mess he’d left at the kitchen table; without a proper workroom, Cornell was forced to store his growing collection of magazine clippings and dime-store baubles out in the garage.
In 1940 Cornell finally mustered the courage to quit his job and pursue his art full-time—and even then his habits changed little. He still worked nights at the kitchen table, while his mother and brother slept upstairs. In the late morning he would head downtown for breakfast at his local Bickford’s restaurant, often satisfying his sweet tooth with a Danish or a slice of pie (and lovingly cataloging these indulgences in his diary).
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #JosephCornell @masoncurrey
Medusa has always been one of my favorite mythology figures . And ... well, here comes the rant , I'll never quite forgive Athena for making her like this . Ironically, I've only really seen Medusa in her monster form , and this form , in all its unique fierceness , is what I've always been attracted to . I know I'll probably get a lot pf flack for this ... so I'll just quit while I'm ahead . Enjoy the cute pic .
Pen and ink drawing. This was the original which I reworked digitally for an EP cover, business card and sticker. Search up Three Word Stories band if you want to see the final artwork... (I may upload it here at some point ;))
For this series, I'm trying to hone my beginner skills by focusing on the architecture of each strange creature through reference photos, while also using it as a log for interesting animal facts.
An illustration from my sketchbook. I used it as a header for a blog post I wrote here: https://substack.com/home/post/p-177688791 It's a warning about the mark of the beast. I recommend you to take a look!
#08 Mythological Creature - I tried getting some ideas on duckduckgo images for a theme on magma.com that was titled Mythological Creatures. Drawn online/live at magma.com using an iPad Pro (no pressure sensitivity and no Ai).
Took the opportunity to use the prompt to do an illustration for a personal project. A key describing the symbols would be super long here, but the curious can see them listed at https://inkpaperstring.com/lunar-houses/
People click pictures to remember and tell stories of their adventures on the trip. I want to tell my travel stories through doodles. This is my first attempt at them, and looks like i would stick to making these on my travels. This one is for the 4 day trip to Dharmashala, Himachal Pradesh, India. A 4 day trip of adventures captured in form of a doodle comic strip.
Mixed media artworks. Created in conjunction with each other, on a single piece of paper. As the colors of marker or watercolor bled through, so I worked with the motifs on both sides. It is no secret that i absolutely love birds and they feature so heavily in my drawing/illustrative work.
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
#22 [Hades (the game) 2024] - This would be considered fanart if I was a fan, but I have never played the game. I realize there is no Hades 3, this is just for pretend-fun. Since I don't know the story and characters of the game I decided to make up three of my own. [Sketched & inked everything using an iPad pro & magma software, drawn live, no ai.]
They say Prometheus brought fire from the sun concealed in a hollow fennel stalk. They say tarragon came to be when a flax seed was pushed into the pierced root of a sea onion and planted after dark. The Minotaur simply likes the smell of chopped herbs.”
- Steven Sherrill
For some reason out of all of my drawings, this one went viral on Tumblr. So when I got to the Minotaur on the list of hybrid creatures, I had to (re)make this one.
The sentence is from “Minotaur takes a cigarette break” by Steven Sherrill. It’s wonderful.
