India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
An old-style doodle, with many parts to look at! This took a few days, from the initial drawing, to inking, to uploading to my computer and digitally coloring and adding textures and detail! Lots of fun, and definitely different from my normal doodle-style. Thanks for viewing!
When I was a teen, my grandfather had alzheimers, a failing heart, and half of one lung. He was covered with scars and sometimes muttered at walls.
I was asked to keep an eye on him, briefly, one afternoon, while my grandmother did something else. While I was alone with him, he looked at an empty space right next to me, and whispered: "Mom? Dad? Is that you?"
With the exception of getting hit by a car, that was the most terrifying moment of my life.
Kingfisher is a digital drawing completed on the iPhone 7+ (im looking at getting the ipad pro next month!) This is 1 of a current 6 pieces with the collective title 'Birds Of A Feather' leave any suggestions for birds
i feel to much focus is put on faces being to aesthetically perfect, or perfection in the media approach to what thats perceived to be. i enjoyed drawing a more imperfect edge to it and the use of the light beams was a cool thing to draw. the meaning was a look at self -adulation and the clamour for attention through various social platforms, being valentines day as well i feel to many people fall into that trap what promotes nothing more than a money making event. this helped form the title of "seduce her" using a medusa as a subject matter.
Part of a series of black and white drawings on birch plywood. I took some liberties with horns and the look of the face. Don't consider this a realistic bison.
I always admired those hand-painted signs outside the barbershops, so I made my own. Actually, you look like you need a fresh new hairstyle yourself. I can hook you up
I am tired of drawing people looking at their phones, so I am replacing people's phones with random animals. Like for this cool lady, I saw at the Met Museum!
When I read the first book of the "Outlander"-Series by Diana Gabaldon, I was really inspired by the idea of travelling in time through places like Stonhenge. This is what it looks like in my head.
This is one of my Helsinki street style illustrations. On the streets I see fab styles. I’m saving the looks to my mind. Later on I draw them. My blog Flash For Zonzon is about streetstyle Helsinki illustrations.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
The nearby pine tree has dropped quite a few pine cones, all in different states of decay. I enjoy looking at the different shapes, sizes and colours of each cone, each with its unknown story.
Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
I grew up drawing and illustrating, but 20+ years later, it hit me with force. I haven't looked back since. These are the first two practice sketches I made when I decided finally that I want to be an artist.
