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Shadows in the universe.

This is an illustration I did last year that is included in a book of short stories about 'Abdul-Baha, the son of the founder of the Baha'i Faith, entitled "To Serve All Humanity".

Something wrong

#Golgaaryol Injured into symbols The wounded Shadow The ink flows and carries nonverbal oddities [April, 2023] Danielle East - Broken Butterfly https://youtu.be/4WiMDebAnzo?si=k2yO1ALrmwyysOt4 I wanted a picture of a sad dragon - finally I turned ordinary doodles [from 2023] with brushes into something like this, blur and softening effects were also added.

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

“Haven’t thought too deeply about having children but I wouldn’t shy away from that challenge.”

This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.

This is a watercolor of the French Impressionist painter Monet painting

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One of my favorite VTubers. Drew her from the inspiration of @Omuf666 Disney Gal Compilation.

This one is my " other style " oddly I have two different styles of art , sometimes I feel very sci fi / fantasy , and other times I feel more like drawing animals . I've noticed that my style changes depending on which mood I'm in . It's been a while since I did any of these , this one is from a couple years ago .

I forgot to post it here. I got better at drawing her. I tried a more '80s anime style recently but will keep at this style since that's how I draw. I love her even though she's not intended to be a main character

he peers through the emerald fog, and with his sharp eyes, he can spot danger from far away.

"To be together, through all times of thick or thin."

Hello, my latest drawing, A5 format, fine liner, ink, pencil

I wasn't feeling this one but I pushed and finished

I've gotten into Mouthwashing I have no idea why but it's a very interesting game and the discussion around it has me intrigued

works from the series "In Silence" fine liner, pencil, ink, charcoal format A5 cm on paper Thank you, see you next time ✍️✌

I call this work Lost Koi because I painted it in the 1990s. Gave the original to a friend who was terminally ill and thought I would never see it again. Then I found it on a old computer. I had to work a lot with the image. I hope it loads.

My drawing, imagination, my way

in the beginning there was a blot

From Cornelisz Van Haarlem