man

One of my gouache paintings from a few years back . I don't do too many landscapes so this was sort of expiramental.

Lindsey's prompt: The Pale Man

the wounded soldier is no longer just a man begging for mercy - he is infected with something dangerous, which makes him aggressive and possibly uncontrollable. His outstretched hand may now mean not a plea, but an attempt to grab the protagonist, which increases the sense of threat. The soldier's eyes, wide open and seemingly filled with fear or madness, now look like a sign of loss of humanity. The blood stains on his clothes are no longer just traces of battle, but perhaps the result of his own aggression. The chains in the background can be interpreted as a symbol of restriction or control over the infected - perhaps he was captured or locked up, but was able to break free.

Cover for my fanfic i writing for "Batman: Zero Year" comic. After Zero: https://archiveofourown.org/works/63498001 "I bloom, a flower fair and bright, A needed thing, for two, a light. In hearts' soft garden, breezes play, I grow in strength with each new day." The Riddler nodded patiently, his eyes half-lidded in boredom. Amber devoted almost all her energy to keep reciting this stupid rhyme that she had composed and practiced until she turned pale from exhaustion. The remaining part of her energy was spent on NOT clutching her jacket. "But then, a worm, with wicked bite. Gnawed at my grain and dimmed my light. A spreading blight, a change so foul. Cursed my existence, took its toll. My two companions, caught in strife. Began to gnaw and hurt their life. Absorbing poison, bit by bit. They both grew sick, they couldn't quit." "…" “Who am I?" The Riddler lazily raised his eyes to the sky and just as slowly raised his hands. "Love!" His voice was full of theatrical reverence. He didn’t even pretended that the riddle made him ponder over it. "To be more precise — twisted love. Am I right?"

Doodling of the Day

whatman, markers, 32x31 cm, 2023

Here is anime style: https://www.doodleaddicts.com/uploads/69316/noa-rabiner/" Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

Lindsey's prompt: Bomberman

Abstract painting "Open Air Factory" pastel paper, mixed media, ink and acrylic, 30x42 cm, 2023

Imani standing akimbo. 2022, Ballpoint pen on 9" x 12" archival paper.

So, I drew my BSD OC character, Noa. Trying anime after learning new things. I'm not really happy with her hair. I need to think about her design more. "Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

The photo captures a shimmering, festive Christmas moment with a beautiful young woman posing in front of a lavishly decorated Christmas tree. She is wearing a glamorous outfit consisting of a sparkling butterfly-shaped crop top and a short white skirt, paired with elegant high heels. The surrounding space exudes a warm, cozy atmosphere with wooden walls, vibrant red ornaments, and green-and-red pennant banners hanging above, creating a lively holiday scene. A black chair nearby, along with festive decorations like a fabric Santa Claus and candy canes, enhances the Christmas spirit. The woman in the image radiates a gentle yet captivating beauty, with her long, flowing black hair and a charming sideways gaze. The combination of modern fashion and a classic holiday setting creates a stunning composition, evoking a sense of warmth and romance. This image is copyrighted and DMCA registered. I strictly prohibit all of you from posting this image on other online forums. If I discover it, you will receive some reports from me. Contact me via: thichminhbaovn@gmail.com

An oc that I'm working on. Scruffy college undergrad, going steady with his girlfriend.

The Joker has prepared a gift for you/your OC in honor of the holiday of love and romance! Happy Valentines Day!

Remember phone booths

Truman Capote (1924–1984) He compulsively added numbers in his head, refusing to dial a telephone number or accept a hotel room if the digits made a sum he considered unlucky. “It’s endless, the things I can’t and won’t,” he said. “But I derive some curious comfort from obeying these primitive concepts.” - From Daily Rituals: How Artists Work by Mason Currey “Life is a moderately good play with a badly written third act.” ― Truman Capote #dailyrituals #inktober #TrumanCapote @masoncurrey

“You saved me, my heroine!” For a guy who almost got eaten, he looked way too pleased. “That’s worthy of, well, an award, you know!” He tapped his split lip thoughtfully, lying on the ground as if nothing had happened. “Ah, Zero Year may be over, but I think it’s only fair for me to name a month after you. What do you say?” His impractical coat was all messed up, his hat laying a little to the side, just as dirty and caked with snow. “It’s january, isn’t it? It’s Amberary now! Maybe not for all of Gotham, but for me for sure.” He grinned. What the hell is he saying? Why bringing up those old words? Ridiculous. Amber failed to hold back surprise in her eyes, but she almost managed to stop herself from smiling in time. Almost. He noticed. “… Get up.” --------------------------- Long story short: Amber saved Ed from predators, and he decided to be extra with his flirting. I remembered Edward's words from “Zero Year” about naming months after gothamites heroes and an idea came to me… This scene will definitely be in a fanfic, for which I have an underdeveloped idea, and which I will definitely not write. %) In any case, this is roughly how I imagine ZY!Eddie flirting, in addition to all the other headcanons. My vision of him is too different from ​​how most of the fandom sees him . xD I’m trying to jump above my head again, not having the skill in background, clothes, drapery, and full body, especially since I almost never drew two interacting characters. My most ambitious work so far. But I’m happy!

George Balanchine (1904–1983) Balanchine liked to do his own laundry. “When I’m ironing, that’s when I do most of my work,” he once said. The choreographer rose early, before 6:00 A.M., made a pot of tea, and read a little or played a hand of Russian solitaire while he gathered his thoughts. Then he did his ironing for the day (he did his own washing too, in a portable machine in his Manhattan apartment) and, between 7:30 and 8:00, phoned his longtime assistant for a rundown of the day’s schedule. - From Daily Rituals: How Artists Work by Mason Currey “I like to do things certain ways and I disagree with everybody but I don't even want to argue.” ― George Balanchine #dailyrituals #inktober #balanchine @masoncurrey

Let's Wreak Havok

Abstract painting "A refugee leaves his native quarter" whatman, mixed media, acrylic and marker, 54x54 cm, 2023

This was one of dozens of daily sketches I did in a small book for my daughter's Christmas present a couple of years ago. Love the wacky gulls. So many in my area.

“A2X, the manifestation of traits that would be seen as taboo in the public eye.”