Virgil Caine is the name, and I served on the Danville train
'Till Stoneman's cavalry came and tore up the tracks again
In the winter of '65, we were hungry, just barely alive
By May the tenth, Richmond had fell, it's a time I remember, oh so well
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
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Consume these branches swollen by humanity fractured in dim lights, though feature promise in deeper efforts of kindness, blood cover our parts closer. Thoughts wonder red fever beneath bones of oceanic memory, to voyage away and try to understand this method. Extinction loom over these motions, while further be the faint reminder of our fate.
Voyager nude before the fallen bloom of this ageless water. Seeming to observe from distance, but materialize dance deeper into these woods. A smile in concerning rhythmic tones, deeper, a cradle into silent night. What further amuse these thoughts rapid?
Dark oceanic blunder focus distance and disturbance fully. Bleeding creature in tears of this manifestation growing. Horrendous branches consume while last thoughts falter, compose this ending formation.
To become selfish in manners that depict a lack of understanding, a horrid brooding fire contact fractured arms completely. Harm composed by the ashes that follow. A tundra voyage in need.
Deep thoughts compose these kinds of oddity fully. Severed ways of a child begin darkness, but these waves of good manner determine a decent stride to come. A belief in harmony to bloom soon.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.
This is from an assignment to make a drawing from three words. My words were teabag, Hazmat, and cocoa. The friends are sitting inside a flow-through tea bag. Giants make tea out of herbs toxic to humans. Thus the need for the suit, and for drinking cocoa instead of the poisonous tea. But when you have good friends like giants or humans, you make accommodations.
