(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
This was my very first artwork in the quarantine-time. It started as a normal manga-like pic of a girlie, but later as this virus came, i continued with drawing a mask on her...
Went off a different prompt list today because I really wanted to draw something chill. Also I wanted to do some reference pose practice. PIntrest is a god send for trying to figure out how body's move. XD. This one is much more simple since I wasn't too focused on finishing the full color. Instead I played around with a few of my drawing programs tools. Tried to use its coloring mask, patterns, and texture brushes to get a simple yet readable mood.
Part of Paintable's intro to digital painting course; quick exercise on layering, masking, color choice, and texture. Was provided line art of a cactus and brushes. Source: https://paintable.cc/
Costume design for a Beauty & The Beast painting project. The mask is inspired by Baroqu-era gargoyles and grotesques. Had the pleasure of this image on my phone scaring the hell out of my favorite bartender, whose voice is usually low enough to be the voice of God...usually. XD
I like the notion of Poison Ivy from Batman being a sort of vengeful Mother Earth. I sometimes wish Mother Earth would give us the smackdown. We deserve it.
I collaged "Krampus is Coming For You" together with my own monoprints as well as one of my drawings of Japanese Noh masks that I cut out of an old sketchbook. For the second piece, I had a drawing of Marie Antoinette as an ice cream cone, so I gave her a dress, put a background of my monoprints on her, etc. Then I added more cherries, and the circle reminded me of a clock, so I inked in the arms accordingly.