It’s always good to find some drawing time on vacation. We went to some weird random small towns in Washington and a ghost town called Burke with some particularly interesting history. I had Cheers playing on my phone while I drew this but no similarity is intended. It’s a classic show but it would have been better without the distracting laugh tracks.
These horses were so much fun to draw. I used a Uni Posca marker with Daniel Smith watercolors. I was going to a craft fair and wanted to try out making stickers with Sticker Mule. It is a super easy process. The sticker is 1 inch in diameter.
Australian author mbpardy & I have a children's book coming out soon called "Graham's Up the Tree." This illustration from the book makes a good countdown to release.
"The Explorers" 14ft tall by 48ft long mural painting in Vienna, Austria alongside my friend Dead Beat Hero this past weekend. His comic book style robot characters emerging from the river into my crazy cartoon world.
Day 6 #inktober2017 - Sword. Yikes! Someone is feeling some aggression after what him through on day 2. You can follow me on http://instagram.com/jimbradshaw to see the all of my inktober posts and more.
A horizon of chalk—black sky heavy with silence, gold earth glowing with embered breath.
Between them, a thin line of turquoise, the pause where one world ends and another begins.
It is not sky, nor sea, nor sand alone. It is the threshold—a doorway, where silence teaches and light remembers.
Stand here long enough, and you may hear it breathe.
inking and seeing for better being — https://forming20.com/
There’s a lot of waiting in life.
Waiting in lobbies.
Waiting on answers.
Waiting for braces to tighten, kids to grow, hearts to heal, or prayers to be answered.
I sat at the orthodontist, watching dollars tighten on tiny wires, and made this sketch. A tree. A house. A street. Color helped the moment breathe.
I remember once hearing a chess master say, “There is no waiting in chess.”
It confused me—wasn’t there always a turn to wait for?
But he explained: “There’s no waiting. Only planning. Plotting. Analyzing. You’re always thinking.”
I once repeated that to a FIDE master. He got mad.
Maybe because waiting and patience aren’t the same thing.
We can be still and deeply active inside.
We can pause without being passive.
And then there’s Lindsey’s voice in the back of my head:
“That sounds like a first-world problem.”
“Speak life.”
“Be thankful. Rejoice always.”
And she’s right.
So here’s to filling waiting time with something creative.
Something kind.
Something that turns a delay into a doorway.
Rest in Power, Paul Reubens. I watched a lot of Pee-wee Herman as a young kid. As an adult, Paul Reuben's collection of erotic gay art made him interesting to me but misunderstood by many people. Any way you take him, he was funny and made many people laugh. I painted a scene from Pee-wee's Big Adventure, a classic Pee-wee movie from 1985. I love the California scenery and am happy with how the landscape turned out.
Often I am given to making marks on paper that reflect the objects I see coming towards me as I gaze out the front car window. I do this exercise as a passenger of course. The goal is not the end product, but the process of connecting what I see with motor control. The product is an indication of movement and energy. Give it a try!
I am amazed summer after summer seeing this tree and garden grow. I started this with a blue background and a black layer that I punched through, and from there, I painted layer by layer from the back to the front. I like the realism I got, but I kept to a painterly feel using oil brushes.
I wanted to capture an introspective feeling and show the Detroit River's expansiveness. I went with a late summer sunset vibe with lots of warm pinks and cool blues.
A handful of Brit flicks have been showing up on Disney+ lately, and one of them I watched recently had Luke Perry of all folks in it... the film in question is called ‘The Beat Beneath My Feet’ in case you’re curious.
In all seriousness though, British films with American actors in them as a lead/central character will forever and always fascinate me, much like Luke Perry’s birth name did! Rest well good sir and thanks for everything.
Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message.
Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
“In Caribbean mythology, the lusca or luska is the term given to one of the most feared sea monsters in the region. A deadly creature that prowls the deep and feeds on the unsuspecting. A being or a pod of beings that scour the Gulf eating up all in its wake. The lusca is a chimera; a mismatch of animal parts. A conglomerate of some of the Caribbean’s most feared creatures. It is a cryptid that said to hunt and prowl the Gulf and areas near the Mexican shore. Luscas are one of the lesser known cryptids of the deep. They are also one of the most fascinating not only on account of its fearsome symmetry but of the mystery that surrounds them...”
