Theo Von, is an American stand-up comedian and podcaster. He hosts the This Past Weekend podcast. He has appeared on MTV and Comedy Central shows. Pencil illustration colored digitally in Procreate.
Well friends just got done creating my new logo to represent my ministry. The design incorporates symbols that represent both writing poetry, commentaries, short humorous stories. This is represented by the quill pen. My fine art, commercial art represented by the painter's palette, and illustrative tools.
The colors running to the center of the palette to from the cross, represent my Christian ministry. Going to FedExs to have business cards made. Planning to use this logo for my art fair booth
Pressurized Patience
16x20 canvas
sealed interior, a distant promise, and time marked in scratches and routines.
Pressurized Patience explores endurance, isolation, and the quiet humor found while waiting under pressure.
A quiet moment before escape.
Time is counted, tools are gathered, and the destination is already marked.
The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.
*PS photo 1 finished is is better is better then photo 2 is inked ver.*
*ps my og inked sketch is lost media so i used finished to photo edit on Google photos an inked since my cam roll rsndomly deleted it...
The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live.
Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
This artwork is part of my ongoing visual diary of factory life—small, overlooked corners turned into honest moments.
“Trash Talk” sits right between humor and grit… a reminder that even the most mundane places have something to say.
Ps i hadn't drawn Cleetus from flamingo on their own in an while was his commission pt 3 i drew 1 month ago yet again in the sneezy art era aka last time i drew him sneezy art era and Due is busy drawing other YouTuber flamingo fanarts lolz
Post-Apocalyptic Pastime
In a world where decay replaces diamonds and cracked walls echo memories of youth, a lone figure stands ready to swing. Post-Apocalyptic Pastime reimagines America’s favorite game as an act of defiance—finding hope, peace, and play amid the ruins. The graffiti and broken skyline hint at what was lost, but the stance of “LEE 01” reminds us that even in the aftermath, the spirit to keep playing endures.
A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.
A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.
(Ps its my 22th / 23th time drawing my oc Junior in my Sneezy art and doodle addict era and forth time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 9 months pregnant btw still.
(PS 9th junior drawing on sneezy art and 5th time on doodle addict btw.)
*PS photo 2 inked ver is better is better then photo 1 is finished ver.*
*Ps: it's not my best work at all! But its tge one i rilushed the whiteout process to do someone bday art so far!
But it's bit if an downgraded remake of last time an few days ago even I took 4-5 days aka almost an week to draw this I started it on oct 13th and finished it on oct 16th and I hated than last junior I made last time and its better then the the 2023 ver from dev art era.
(Ps shout to those dev art users who saw the og vampire junior in 2023!)
(Dorry if remake duspointed u future remake ne better whiteput nib job i rushed it for Maxwells 17th b-day request.)
(Ps jeffoween 2025 is here but came bit late this year
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.
