Words something so simple but yet so destructive. They become your inner voice, your torment they become the demons you try to appease. But when there is one that shines brighter than the others. It becomes charming, alluring, but yet the most destructive one of all. All you do...is feed it.
#27 Plants vs Zombies fanart - This was an old piece I drew during a live stream on magma.com a few years ago. I got around to finishing it last night in ibisPaint and then made some color adjustments in Photoshop. I stink at coloring in my opinion and I usually don't color my line drawings because I get a little bit antsy staying in the lines. The following characters I drew are: The Tree is named Mourning Wood - which is a mini-boss from the game Terraria, the sunflower is from Conker's Bad Fur Day, The Piranha Plant is a recurring enemy in the Super Mario franchise, Peashooter and Puff-shroom are from Plants vs. Zombies, Ivysaur from Pokemon, Water Lily Siren from Shantae, the toon witch Samantha from the tv show Bewitched (intro), and Godzilla.
A quiet moment before escape.
Time is counted, tools are gathered, and the destination is already marked.
The treasure isn’t taken yet—not because it’s unknown, but because patience is part of the journey.
A colorful and dynamic scene depicts a Cosmic Christmas Tree with swirling galaxies and stars against a dark background. The vibrant colors blend together to create an impression of movement and energy in space.
These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.
All men have parties and are pals who never let each other down. A pal can say terrible things which are forgotten the next day. A pal never forgives, he just forgets and a woman forgives but never forgets. That's how it is. That's why women aren't allowed to have parties. Being forgiven is very unpleasant.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
#25 Christmas Art Contest - I'm pretty sure I drew this in 2023 if I'm not mistaken. It was for a Christmas art contest at magma.com and drawn directly on their website using an iPad pro. And well, although I met all the requirements I didn't place in the top four. The rules stated that we had to pair up with another member from the website art community to draw a Christmas themed picture relating to anything from our childhood. What you see is only half the picture. My project-partner Andy added his portion to the collaboration, but I removed his pen strokes just for my website. That's why on the right side of the picture the Christmas tree and edge appear unfinished.
This image is huge, like 5000 pixels. This website will resize the image losing details, but if you would like to zoom-in to a higher resolution, try this link to get a closer look. Safe link to mega-upload file storage:
https://mega.nz/file/vqoXGIgD#bx6hdvKVKX8__hfBAYEVtp49NESS26w4iudrlM-oI_4
#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...
A detailed, hand-drawn illustration of a frothy beer mug featuring the play-on-words "Auto Therapy." Perfect for craft beer enthusiasts, home brewers, and anyone who finds peace in a cold pint.
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So some of these images are concepts covers for Monster. I'm done setting dates. When I finish it, I finish it. But until then, concepts.
Monster is going to be story based on mental health with a mix of religion. I have stories inside and they are scratching to get out. But the struggles are real and I'm trying to get the images out and onto the screen, paper, and ink.
An illustration from my sketchbook. I used it as a header for a blog post I wrote here: https://substack.com/home/post/p-177688791 It's a warning about the mark of the beast. I recommend you to take a look!
A late Christmas edition, but I suppose it's fine because it's still Christmastide. And according to the story, the wise men didn't actually arrive at the time of Jesus's birth so the lateness has some historical basis.
A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.
This is the 5th piece that I painted during my train journey. I painted this scene after passing so many bridges, i was wondering how the people from below might see us when the train is crossing the bridge. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
This is the 3rd piece that I painted during my train journey. I painted this scene after missing my greeny patches on house from outside. I didn't like how this painting turned out to be. But still fine T_T
This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This piece continues my ongoing tool series, focusing on objects shaped by use, precision, and repetition. The speed square—an essential instrument of measurement and accuracy—is rendered with attention to wear, markings, and subtle imperfections left by time and handling.
Isolated against a minimal background, the tool becomes both subject and symbol: a quiet reflection on structure, angles, and the human need to measure and make sense of the physical world. Like the others in this series, it honors everyday labor and the overlooked beauty found in functional objects.