The creative demon possessing me at the time must’ve either been Mark E. Smith or Radiohead’s ‘Hail To The Thief’ shaped, judging by the lyrics of this one..
"Lang may yer lum reek (a Hogmanay greeting, implying "May you never be without fuel for your fire!", but more literally translates to "Long may your chimney smoke!")" All this I corrupted and used to inspire me here.
Fun fact: This, some 34 years ago, nearly became the title of Pixar’s first short “The Adventures Of André & Wally B.”.
You learn something new every day folks...
*writes a few words, masticates a few more he found reading Doctor Who books*
An ode to the more saccharine yet saltier tasting things in life. Faff and fluff aside, find your own meaning folks.
An intuitive mix of fluid watercolor gradients and intricate fineliner patterns, wrapped up in a golden border. A little bit biological, a little bit whimsical.
A vibrant garden scene showcasing an array of colorful flowers with tall stems. The background features a mix of greens and yellows, adding to the lively atmosphere.
*PS photo 1 finished is is better is better then photo 2 is inked ver.*
*ps my og inked sketch is lost media so i used finished to photo edit on Google photos an inked since my cam roll rsndomly deleted it...
From the chaotic artist mind pours the energy needed to grow your future. A little seed takes growth in your life and stretches across everything manifesting ideas into tangible results.
So some of these images are concepts covers for Monster. I'm done setting dates. When I finish it, I finish it. But until then, concepts.
Monster is going to be story based on mental health with a mix of religion. I have stories inside and they are scratching to get out. But the struggles are real and I'm trying to get the images out and onto the screen, paper, and ink.
In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin.
A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.
