Trying my hand at some character design with the intention of eventually modeling it. Only the front view so far. Still have some painting to do to get rid of the rather "designy" black ink outline. Then on to the side view, then to POLYS!
Here's a drawing I made of pinup model Lalla.I used black ink, color pencil (black and grey) graphite pencil on watercolor paper. Many thanks for looking.
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
I needed to practice some techniques for some Star Wars prints, so I decided I was going to try to draw The Joker in a more modern tux. Don’t ask, it makes sense in my head. There are a bunch of anatomical errors in this, but it did its job so I'm not too worried about it.
I was just in the mood one day and decided to combine several aspects of Norwegian culture and modern insights on the Vikings. Here she is! Saga Brunwolf! It’s a little silly I know.
Well, I'm joining the Tumblr exodus, which is unfortunate because that's where I post all my sketches! Oh well. Hello DoodleAddicts! This was half of a recent assignment for a figure drawing 2 class, to draw our model in low key lighting. :) Time: 30 mins Medium: Charcoal on Paper
My sketchbook spread. This is actually a moleskin watercolor album which I'm mostly using to draw from life. This is sharp and spiky versus soft and fluffy. The models were the two of my house plants, and aim was a texture and light study.
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
Truman Capote (1924–1984)
He compulsively added numbers in his head, refusing to dial a telephone number or accept a hotel room if the digits made a sum he considered unlucky.
“It’s endless, the things I can’t and won’t,” he said. “But I derive some curious comfort from obeying these primitive concepts.”
- From Daily Rituals: How Artists Work by Mason Currey
“Life is a moderately good play with a badly written third act.”
― Truman Capote
#dailyrituals #inktober #TrumanCapote @masoncurrey
Model with Headphones Drawing Sketch Study by Oz Galeano
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I find it awe-inspiring to watch crewed shuttles launch. This 3.5" x 4.5" acrylic on custom tiny canvas captures those first few moments after lift off. I used modeling paste to really emphasize the depth of the dust cloud, and I love that it adds a tactile element to it.
Model with Flowers Portrait Art by Oz Galeano
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