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“Conflict with oneself occurs when you’ve split yourself in two or more.”

I need to find my style one day.

Not all company have your best interest. Some more Monster concepts.

And into another sketchbook, the first of 2026 proper, we go! Introducing “More Portable Weirdness” :-)

A while back, I jumped into a global property deal, saying folks like me could cash in on hot foreign housing scenes. Real estate - sure, everyone knows it prints money, a big-time industry worldwide. It looked solid at first - they showed me online walkthroughs of places I partly owned, got me pumped. Still, there was this weird vibe nagging me, hard to explain, just wouldn’t quit bugging me inside. I ignored it, though, brushed it off, kept going anyway. One thing I’d say now? Listen to that inner voice - every single time. I kept picturing the steady cash coming in, which blurred how clearly I saw things. At first, they paid me consistent returns, making it feel legit. Over time, though, I poured more money into it. Before long, I tried pulling out bigger amounts - but then the payouts just vanished. The reasons they gave shifted every week, and not long after, they began asking for added charges to fix the withdrawal issues. Still, I’d spent every dollar - put everything I owned into it, thinking it’d be okay. When things went south, I panicked, then remembered a name: {DIGITAL LIGHT SOLUTION}. Found them through some random post while scrolling late at night. Honestly? Didn’t believe they’d help, but they jumped on it fast, scanning stuff I didn't even know existed. Right away, knew these folks weren’t messing around. Used hidden clues online, tracked down where the cash got moved, and then fought to pull it all back into my hands. I'm happy the hard work brought results - my full investment was back in just 72 hours thanks to the team handling my issue. I reached {DIGITAL LIGHT SOLUTION} through T e l e g r a m -- d i g i t a l l i g h t s o l u t i o n And E m a i l.d i g i t a l l i g h t s o l u t i o n (@) q u a l i t y s e r v i c e.c o m - W hats App +1.9.5.4.8.5.6.8.0.4.5  

Got inspired recently and made this. I thought I'd have more time to sketch out stuff, but things are busy again...oh well...

Some more concepts for Monster. Every choice has a consequence. But what is the price you will pay

Some more concepts for Monster.

Continuing to consolidate the colour profile of the White Bird. Even if the photo fails to capture it, those pale shades are actually a sophisticated mixture of grey, sky blue, pink, and purple shades, managed with eraser and finished with white. Have been working on my ability to manage lighting, softening the shades and contrasts. Colouring white things are actually not easy, because you will notice all the minute colouring differences much more easily.

Happens more than I'd like to admit

Castles, moons, squids… what more do you want?

#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...

God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather. We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

Shark no. 2 of 2026!

Happy Solstice one and all :-)

Another addition to my Tool Series—this time a tape measure, the symbol of accuracy, patience, and work ethic. I signed it with Patmore 25 as a nod to the years it has taken to become the artist I am today. Just graphite, ink, and intention… transformed into something that feels alive.

This is part of a beautiful moment that was created as I was painting on these mini watercolour sheets. During the journey, I painted around 5 paintings. This is the first painting I painted during my train journey. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted them this. More on the way ....

The water is deep, but I don't mind it. It just means more to explore the farther I go down.

Bird dragon and fish. This character used to be used for a little comic I was making. I'm not making it anymore.

A tango dance between two characters of mine. I really like these two and always love drawing them together. I have several more of them together and plan to do more in the future.

Need I say more?

Happens more than you think!

Something to warm things up… or, more narwhals.

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

A while back, I jumped into a global property deal, saying folks like me could cash in on hot foreign housing scenes. Real estate - sure, everyone knows it prints money, a big-time industry worldwide. It looked solid at first - they showed me online walkthroughs of places I partly owned, got me pumped. Still, there was this weird vibe nagging me, hard to explain, just wouldn’t quit bugging me inside. I ignored it though, brushed it off, kept going anyway. One thing I’d say now? Listen to that inner voice - every single time. I kept picturing the steady cash coming in, which blurred how clearly I saw things. At first, they paid me consistent returns, making it feel legit. Over time, though, I poured more money into it. Before long, I tried pulling out bigger amounts - but then the payouts just vanished. The reasons they gave shifted every week, and not long after, they began asking for added charges to fix the withdrawal issues. Still, I’d spent every dollar - put everything I owned into it, thinking it’d be okay. When things went south, I panicked, then remembered a name: {DIGITAL LIGHT SOLUTION}. Found them through some random post while scrolling late at night. Honestly? Didn’t believe they’d help, but they jumped on it fast, scanning stuff I didn't even know existed. Right away, knew these folks weren’t messing around. Used hidden clues online, tracked down where the cash got moved, then fought to pull it all back into my hands. I'm happy the hard work brought results - my full investment was back in just 72 hours thanks to the team handling my issue. I reached {DIGITAL LIGHT SOLUTION} through T e l e g r a m -- d i g i t a l l i g h t s o l u t i o n And E m a i l.d i g i t a l l i g h t s o l u t i o n (@) q u a l i t y s e r v i c e.c o m

The picture depicts a eye. The core theme surrounding the artwork is that there is more than what meets the eye. At first glance people don't realise the stories that people hold, but if they try it can be seen. Another reason, why I chose a eye because of the phrase 'the eye is a window to the soul', as I feel it can show what can really be said about the person.

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In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.