motion

Acrylic spot illustration created as a background on a promo postcard. #fbf

Colors always have the power to express what one feels. Also flowers are the best way to add emotions to life.

Working more on emotions coming through.

Pencil Sketch

A3 format, acrylic, felt pen, colored pencils Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.

To become selfish in manners that depict a lack of understanding, a horrid brooding fire contact fractured arms completely. Harm composed by the ashes that follow. A tundra voyage in need.

An image depicting the taking of a mother fighting for her life as she holds her child. In tears while Reaper smiles heavily. Emotional valley weep thorns in their struggle to be together one last time.

Iconic imagery from Kansas City togs at emotions and fills the soul!

Women in motion

13 young, Indian adults, struggling with mental health issues, explained what colour represented her/his fear and which represented hope/happiness. The left half of the face has all the colours associated with fear, while the right shows hope/happiness.

Inadvertently posted incorrect image for this title.

Some weeks just feel like going through the motions...

I have had so many nightmares. But when you break them down, turns out they were never nightmares. It was just my subconscious trying to process what I have been going through emotionally. The brain doesn't register fictional, emotion is emotion. My emotions, my mind and my soul have been processing so much. But if fuels my comic and my art. So when I stand in the dreaming realm, I tell it to bring it on. I will just use the twisted and bizarre to create.

Some emotions are small, some are very tall; some are jagged and rough, some are soft as fluff.

The logic of children of all ages. x x x Psychological projection is a defense mechanism in which an individual unconsciously attributes their own unacceptable thoughts, feelings, emotions, impulses, or traits to another person, group, animal, or object to avoid confronting them internally. This process allows a person to manage uncomfortable emotions like guilt, shame, or anxiety by externalizing them, making it easier to tolerate the internal conflict. First conceptualized by Sigmund Freud, projection involves displacing negative or undesirable aspects of the self onto others, thereby preserving self-esteem and avoiding internal discomfort. While it can serve as a short-term coping strategy, unchecked projection can lead to interpersonal conflict, misunderstanding, and damage to relationships. x x x no, you. ^w^

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

While working at the GCPD, they haven't really communicated. Or rather, they haven't communicated at all - Edward was courting Kristen Kringle, and if they crossed paths, it was limited to simple "hi-bye." But Amber was starting her "career" as an informant and tried to pay attention to her colleagues, especially if they stood out in some way. And Edward stood out. Not only with his brilliant mind, but also with his good manners, determination, and gentlemanly treatment of women. Therefore, Amber had him in good standing - which, in the context of her character, is a great compliment. But she did not seek friendship or any connection with him, being too busy with her ambitions. But they really got to know each other many years later, when he became the Riddler, and she became the Stalker. She, as always in all her versions, became obsessed with a new, interesting person, like a fan of a character, and wanted to become closer to them. This time, that person was him. She even felt strangely shy about going and confessing her interest to her former colleague. But nevertheless, everything was as usual - Amber, who rarely feels strong emotions, always tries not to miss the opportunity to satisfy her loneliness and sparked passion for someone with this strange agreement: she offers free information to her obsessions in exchange for their company and their personal information (like what subject they liked in school, how they prefer to court their love interest, nothing that could compromise them (She can find it on her own). She also does not enter into sexual relations with them, even if they are not against it). Having lived in the illusion of being showered with their attention, she eventually gets tired of them and silently moves on, ghosting them unless they do something that returns her interest (after all, having free info is worth "forgiving" her for moving on on them). This time, everything was the same. But the Riddler would not be the Riddler if he left her strange puzzle unsolved. Not that previous obsessions all let her go without questions, but they were not the Riddler. And everything became complicated...

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"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

So, I drew my BSD OC character, Noa. Trying anime after learning new things. I'm not really happy with her hair. I need to think about her design more. "Did I request thee, Maker, from my clay. To mould me man?" A foreign ability user named Cohen and his sister Noa visited the Agency. Cohen has the ability "I," which allows him to temporarily animate any objects. For example, tables, chairs, statues, etc. But he must manually "unanimate" them. The weakness of his ability is that objects left animated for too long will go insane. He came to the Agency because his brother, Levi, stole their family heirloom - a golem, the best matter with which "I" works in symbiosis. Cohen is dying of an illness. He must pass on his ability to another, but finding the golem is a priority. The main plot twist, of course, is that his "sister" is the animated golem. She does not know about this since the master ordered her to forget and believe in her familial relationship with him - the golem unquestioningly follows the orders of the master and this includes subconscious self-deception. Noa is an ancient creature, but her age matters little because when her master "turns her off," all the memories she has lived are erased from her memory. With a new "turn on," she needs time to gradually gain an independent mind and begin to feel. Unfortunately, this process is rapid enough to cause terrible problems with controlling emotions and feelings, which always lead to blind violence on her part when she can not cope with herself... In some ways, she is naive, but she highly values ​​life and human life in particular. Human beings amaze her with their complexity and their achievements. And life in general is full of exciting colors and aspects for a once inanimate object. However, there is a person who will do anything to prevent Noa from gaining freedom, and it is not even Cohen... "I" is a reference to a chapter name from Gustav Meyrink's novel "Golem." Characters are not based on any writer, but they have references to "Golem" chapters' names.

Its been a while since I drew something based on pure emotion.

Monotipia , acryl on paper A3

my original illustration (zoom in): "development"

Mirror self-portrait a few Minutes after a brutal streetfight... I was bleeding heavily from a skull fracture, broken nose, multiple cuts already... to add Insult to Injury, I was scarred with a "Glasgow-smile" after I got beaten to a pulp... I felt the urge to capture my emotions (and inevitable bodily fluids...) on paper after I carried myself home and looked in the mirror.

This is NOT my artwork, this was given to me as a graduation gift from my brother. This was during the drought so not a lot of us could get a bouquet of flowers, my brother asked our art teacher to do an extra print for me. When I found this in my gift bag I was already emotional and almost cried. This was better than a bouquet of flowers, one of my favourite birds in my favourite medium.

I created a series of mini-flyer to promote Jesse Lent's show. The show venue becomes the inspiration and the series was produced with hand-drawing line-marker style with one punchy bold color.

Pencil Drawing

This image kind of represents my life... seemingly peaceful, but in all actuality is a whirlwind of emotion and ideas that just end up being torture. This is more of a vent.