Henri de Toulouse-Lautrec (1864-1901)
Toulouse-Lautrec drank constantly and slept little. After a long night of drawing and binge-drinking, he would often wake early to print lithographs, then head to a café for lunch and several glasses of wine. Returning to his studio, he would take a nap to sleep off the wine, then paint until the late afternoon, when it was time for aperitifs.
(One of his inventions was the Maiden Blush, a combination of absinthe, mandarin, bitters, red wine, and champagne. He wanted the sensation, he said, of “a peacock’s tail in the mouth.”)
From Daily rituals by Mason Currey
#dailyrituals #inktober #henriToulouseLautrec @masoncurrey
Day 4 Scallop
When I saw the word scallop I immediately thought of this man from big mouth and this is perfect timing because big mouth is coming out with season six on Netflix so it all works out.
A strange beast . It sits by the lakes and plays tunes. Luring all who hear into its maw. It has four arms, And, typically, six fingers on each hand. Its mouth is located at its lower abdomen . I really like top imagine that it plays old 30's and 40's jazz and such ... "you keep a Nokken but you can't come in... I know you been drinkin' gin ... You been cheatin' round with other men, I'm busy and you can't come in... "
Galacons are these giant space robots, and there's two variants. The Solar Galas are much larger and thinner, and sport huge solar sails like frills along their necks and tails, a few even have sails on their long limbs, somewhat like wings. The Solar Galas are surprisingly passive, despite hosting hundreds of concealed turrets (some with EMP missiles), blue/white laser flames from their mouth cannon, and smaller lasers from the lights down their body and limbs. The Solar Galas can hold fleets of cruisers in their chest-like docking bay, and smaller ships down the rest of its body to the hips. Solar Galas are still dangerous though, as their diet consists of metallic asteroids, and small ships can be mistaken as food. Magma Galas (not featured in drawing) are much more bulky, sporting massive drills on either side of the head, as well as drills instead of front claws. They also have much larger and more powerful lower jaws, also used to tear through planets to eat the cores. Though they're much smaller, most have huge tails to store lava/magma, and most can spew superheated laser-like blasts of white magma from their mouths and tails. Magma Galas also have extremely tough armor all down their body, the largest having plates nearly 80 miles thick. They are hyper aggressive until they find a planet to bore into and slowly devour, however if attacked while feeding they won't hesitate to vaporize their enemy.
Another OC redesign along with a new name,she still looks somewhat like her old design except now she has short hair instead of poofy long hair,green eyes,different horns,two lower fangs instead of one and lastly the sharp horns on each side of her face.she also doesn't have a hourglass body shape anymore (I don't want two female characters having the same body type)She is a good friend of Tenebris,they often challenge each other and have fights to see which who is stronger than each other,she is athletic,loud mouthed and mischevious and she is skilled in flying unlike Tenebris.
A doggy in a heart shaped hot air balloon, hold a valentine in it's mouth, with three arrows directed at the balloon, and the text "I'm Out to Get You."
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
New character I made for Taured. He can phase in and out of shadows: like, if he runs at a wall (or even walks), he can turn into a 2D shadow, which can travel at high speeds, morph into different shapes, and when he's done, he can just pop out whenever he wants to. His mouth is way bigger than normal; but for the sake of the rest of Taured's population, the government has sealed his mouth shut, side from a small section in the middle. The scars on his neck are not open and bleeding; they're just opening up to reveal a vibrant red energy within. Drawn with FireAlpaca.
I used Batarang shapes to make the mouth and hair and eyes. Let me know what you think, or just don't. but, hey, sometimes negative feedback is the only fuel i need for my fires.
"We had a new upstairs neighbor, and while I had yet to see him I knew he was there because each night he made a terrible racket. It was different each time. One night it sounded like he was blowing across the mouth of a jug for an hour straight without taking a breath."
From "Tacky Goblin" by T. Sean Steele
https://instagram.com/p/B17bwBohfVj/
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
