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Groovy tall bird.

Alien tourist wears the perfect disguise and goes undetected.

(HB pencil on 103mm x 73mm paper) A dreamscape (automatic drawing) piece which resulted in this serene-looking character.

The title for this one was inspired by a remark the DJ Marc Riley made on his BBC 6 Music show earlier in the week. Couldn’t resist getting inspired! As we self-isolate and/or minimise going out unless we feel the absolute need to, as Freddie of the Mercury once sang, “radio, someone still loves you ❤️”

This is a cheerful little owl that I drew and printed on some cards for gifts to friends. Micron pen and Prismacolor markers.

My best drawings are the ones that make me feel like a kid while doing them.

Blind date success when it's this guy!

Highly successful elephant and rat cross breeding.

Sharpie pen (fine) on white paper • #luck #dreamcatcher #loveofmylife

Walt Whitman parallels his struggle with that of the spider. Here, his beard entangles, then forms, the web.

May any aliens watching us worthy folks take us somewhere not so disease-riddled.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

Couldn't think of a title

Poetry + Illustration collaboration (3/10) with @rhianbrookepoetry where I make 5 random illustrations and Rhian writes a poem to accompany them, and she writes 5 poems and I create an illustration to accompany each of them. This is the 3rd one of mine finally finished. #collaboration #poetry #poetrycommunity #poemsofinstagram #poetrycollaboration #poetryillustration #illustratedpoetry #drawing #doodle #doodlesofinstagram #illustration #drawing #ink

Title Tentative :)

Kicking things off with the new sketchbook! And what a time to do so... Coronavirus is rampant everywhere it seems, however big or small. If self-isolation (even for just a bit, wherever you are) is the way to combat this then I suggest making the most of this time. *Captain Obvious groove*

Created a few years ago, this little one has become my personal symbol. I often wear a button with this image on it without the background. Illustrated in pen and ink, colored in photoshop, and lettered and layed out in Illustrator.

"You kiddos enjoying this story?"

The final page in my current sketchbook! Stay tuned after the break folks.

For whenever you feel knocked down, but know you’ll be up again in no time at all.

The GobKing of old was rumored to have used his own parents skulls for the drumsticks. He waged a war so great and horrendous that none dare speak of it in Nornwan.

I am not sure which kind of monkey this guy is...he seems to be in the Golden Monkey species. This is another "digital" monkey.

Pencil sketch with colored pencil on sketch paper. I inadvertently sprayed this piece with spray adhesive before spraying down again with fixative, then added the color pencil. I thought it lost at first, but it turned out well in the end. The dancing mushrooms are there for the poor fairy's therapy after her harrowing ordeal.

First experiment using a pair of Japanese calligraphy pens that I recently got. Finished off with a charcoal pencil.

The picture is terrible. the colors are much brighter... Named for the person liked it most Marker, sharpie, watercolor markers. Simple way to get out of my mind, relax, zone out, I call it brain numbing style because to me it's simple (but it's not really) and just what I do no rhyme or reason. I Just start drawing lines (no subject) with black sharpie/perm marker and see what develops, often surprise myself. I go back and see faces, objects, figures... Closing lines up I see more and then as I start adding color more images develop, no theme to begin but rather it develops as I color and close it in . I tend to see faces a lot especially in graphite or charcoal and in just about anything...rocks, wood, paneling. At times I start with a scenery or subject but turns out completely different and the original never happened. I find out after I look up from being so focused (call it zoned out)

lopsket tolsp