Sketch from lunch break in between work-hours (poor quality sketch/photo). unrelated: I walk home from work 3/5 days every week, and I have leveled up a social link with a kind old stranger I frequently see /occasionally talk with on the walks home. This will unlock the good ending later, though I'm not sure what that ending is. Just hope it happens soon.
"Whirlwind 22”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 22nd in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 22, 2020.
I swear to goodness, If we had known DSaF 3 was going to end in such a tragic, tears-of-joy evoking way, none of us would have asked for it. Drawn with FireAlpaca.
I drew this up pretty quickly on a whim. I don't know what the story behind this is, what either of those creatures are called, or who that lady is. All I know is that the snail creature should be voiced by Tom Hiddleston
"Sometimes the bridges that are hardest to cross lead to most magical places. "-anon #painting #originalart #art_aristina.z #aristina.z #digitalpainting #illustration #autodesksketchbook
A cartographic representation of the experience of moving to a new city in a foreign land. This work, dubbed as 'Introspectionism', provides the viewer with a snapshot over time of the inner workings of the process of the strange becoming slowly more familiar and the foreign becoming Home.
"Whirlwind 21”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 21st in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 21, 2020.
It knocks one's the door, go to and see who is it.
Bátem á pórta, vêde ôu vêja quêm é.
"English as She is Spoke" by Jose da Fonseca and Pedro Carolina. https://www.instagram.com/p/CKRPu8kB50p/?utm_source=ig_web_copy_link
Face homework. This was following a couple of super uncomfortable hours trying to draw people moving in videos, which was such a struggle for me (and my deepest art desire right now!).
Doodling will give you ideas for projects that you didn't expect. The characters for my book, Flight of the Silk, came from sketches. This picture is one illustration for the book.
Okay, I understand that comparing any real-life animatronic bands to FNaF is practically a sin, but I made this doodle subconsciously and I'm in love with it. Introducing Rock-afire Freddy. FNaF animatronics have many differences to real life animatronics, like how FNaF animatronics are made of segments, while real animatronics consist of one big fur piece, much more flexible. And that many of the animatronics from FNaF are completely able to walk around --- but in real life, the animatronics only have moving parts that are essential to their performance. This sort of also leads to another difference; FNaF animatronics from a specific generation all have the same endo, while real endoskeletons for animatronics have their own endoskeleton --- which have several differences from FNaF endos, like having upper jaws (which real endos don't), having teeth (real endos just have a plate which can move the mask jaw), being very bare and with few wires (real endos are very complex, and unlike FNaF where the animtronics are probably powered by electricity, real animatronics usually run on pneumatics). Anyways, enough of me rambling.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
