Sophie Knight Portrait drawing Oz Galeano
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Part of a huge doodle. Started as a doodle while I talked to a friend on the phone. She was one of those non-stop-don't-interupt-me talkers. I got hours of work done while on the phone. It ended up being purchased by our local public gallery for $4,000 bucks. Not bad! And I may use it in a future children's book.
"Whirlwind 23”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 23rd in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 23, 2020.
I'm working on getting a service dog and set up a website, an Instagram, and a fundraiser. This comic was my quick explanation of WHY I need a dog. There's a full color version, the pencil sketch, the inked comic, and a cute sticker of Theo, my service dog.
A full-body illustration of Ace. I think he might be my favorite out of the two. I imagine Bowie to be just slightly a little more naive than Ace. Drawn with FireAlpaca.
So many heads so much opinions.
Tantas cabeças, tantas sentenças.
Idiotisms and Proverbs from "English as She is Spoke" by Jose da Fonseca and Pedro Carolina.
It's an odd feeling to reexperience the old anger and frustration I thought I had overcome, but, in all reality, I've been letting it creep back in for a while now. There was a moment of fear, it's still in the back of my mind, I'm afraid to slip back into the mental place I was a couple of years back. I'd like to say I've finally realized that it's ok to be afraid, and even a bit frustrated, but it's a matter of how I handle those emotions and my own reactions that make the difference.
Two new characters; Ace and Bowie. They work at a casino together, and are best friends. They always wear their masks no matter what, and are so in coordination with each other that they might as well be twins. Or something. Drawn with FireAlpaca.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
