Primrose is the oldest, Daphne is the middle, and Dalena is the youngest. The outfits were found on Pinterest/Instagram. The background was hard to come up with. I referenced Martin Ivanov's Gotham City for the background. Their story is still in the works but I wanted to draw them anyway.
still can’t believe my dad made me move to this platform (my god..,.. what do you MEAN you cant return to the next line in the description? thats even WORSE i’m already starting to despise this platform) anyways,,. this was based off of a short conversation i had with my brother where i asked him “will (name) ever like me back?” and he casually responded “no” and it killed me :( i decided to make a joke out of it because i love to kill my mental state | also please know that this is my first time drawing actual anime and this is half satire so i didn’t put much effort into the faces
Drawn and colored by me, inspiration from a pause oc challenge on YouTube. Zayn is an escaped lab experiment with water elemental abilities. The cat on his shoulder is Raya, a stray that frequented the lab that he befriended. Zayn is a human with animalistic features and four eyes, marking him as unnatural. He is an original character, not based off of anything.
Model Portrait Art by Oz Galeano
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Initiate of the Order of the Saints of the Scrapyard. All members of the order are entitled to the scrap of the mechs they fell (with the pieces they decline to use or take with them being tithed). To join the ranks proper, an initiate must fell an enemy pilot and bring their mech to heel (often by detonating the cockpit and going from there)). Initiates are given little more than a fusion engine (that may double as a shaped charge (or a death sentence depending on their luck)), a kinetic energy recycler (and shield for it to power), a small pile of scraps to build the rest of their sled, and a book of prayers for the scrapyard saints. Most will not graduate their initiation, ending their short stint as little more than ash on the breeze.
(Gel Fineliner on A5 Paper) My opinion of the whole Inktober challenge. There's something to be said for the rebellious nature of drawing a simple cock and balls!
Anthony Trollope (1815–1882)
"All those I think who have lived as literary men,—working daily as literary labourers,—will agree with me that three hours a day will produce as much as a man ought to write.
...
"I always began my task by reading the work of the day before, an operation which would take me half an hour, and which consisted chiefly in weighing with my ear the sound of the words and phrases.…
This division of time allowed me to produce over ten pages of an ordinary novel volume a day, and if kept up through ten months, would have given as its results three novels of three volumes each in the year..."
From Daily rituals by Mason Currey
#dailyrituals #inktober #anthonyTrollope @masoncurrey
If Terios wasn't a skin on "Sonic x Shadow Generations", I can see him being Shadow's older brother, trying to help his younger brother socialize more.
Sigmund Freud (1856–1939)
“I cannot imagine life without work as really comfortable,” Freud wrote to a friend in 1910. With his wife, Martha, to efficiently manage the household—she laid out Freud’s clothes, chose his handkerchiefs, and even put toothpaste on his toothbrush—the founder of psychoanalysis was able to maintain a single-minded devotion to his work throughout his long career.
Freud’s long workdays were mitigated by two luxuries. First, there were his beloved cigars, which he smoked continually, going through as many as twenty a day from his mid-twenties until near the end of his life, despite several warnings from doctors and the increasingly dire health problems that dogged him throughout his later years. (When his seventeen-year-old nephew once refused a cigarette, Freud told him,
From Daily rituals by Mason Currey
#dailyrituals #inktober #sigmundFreud @masoncurrey
Model Portrait Art by Oz Galeano
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Comissions:
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Wolfgang Amadeus Mozart
In a 1782 letter to his sister, he gave a detailed account of these hectic days in Vienna:
"My hair is always done by six o’clock in the morning and by seven I am fully dressed. I then compose until nine. From nine to one I give lessons. Then I lunch..."
From "Daily Rituals: How Artists Work", edited and with text by Mason Currey.
