To draw is to notice.
To notice is to pause.
And sometimes, all it takes is a barefoot boy in a camping chair, chasing the drips of a popsicle, to remind us what it means to be here.
This is Popsiclence—a sacred kind of focus.
It’s where observational drawing leads us: out of the swirl, into the now.
And in that now, we heal.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
The nearby pine tree has dropped quite a few pine cones, all in different states of decay. I enjoy looking at the different shapes, sizes and colours of each cone, each with its unknown story.
Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
This is the largest canvas thus far for me. In progress!! Multiple projects are in sway with this baby of mine. Feel free to check the link for updates on all the moving parts, including video and still shots with hidden treasures added in between (little surprise pop-ups of newness) along the way. https://photos.app.goo.gl/eNiH1mwVbFHaAyAZ9
Here's some music that inspires me, along with links to listen live or on replay.
Phenomenal! - DJ OTB for your creative journey. I love getting lost in the music while I dig deep to paint or create my soul expression. Much gratitude to all those out there who inspire me every day.
https://www.mixcloud.com/djtruebrit-otb/
https://www.mixcloud.com/djtruebrit-otb/a-journey-in-house-afro-melodic-progressive-chill-13072024/
https://www.mixcloud.com/djtruebrit-otb/a-journey-in-house-afro-melodic-progressive-vibes-13072024/
Many people walk past plants either without noticing them or with just a glance. For the Walmajarri people in the Kimberley region of Western Australia, and many other Indigenous groups, plants provide a source of food and medicine. These outlines are of plants that are used by Walmajarri people as either food or medicine. For most people they remain a mystery, hence the outline only.
I got a little emotional when I heard the Lahaina banyan tree would make it through the Maui fire. I found a reference and painted a watercolor of the new growth. I come from a Navy family and was born in Hawaii. Let me know if I got the transparency and shading right or if it is aesthetically pleasing.
Ive always thought Goudrix is an aesthetically pleasing roller coaster, regardless of how it might feel when you ride it. I love roller coasters and design layouts in No Limits 2, but I've never composed one. This is my attempt using oil brushes in Rebelle. I wanted it to have a traditional vibe. This is not AI, nor is any part of this AI.
Yet another senseless lynching that has me here with a broken heart. Like my other paintings on this subject, I wanted to focus on life. Tyre was dynamic and energetic, so I wanted to paint him soring. I also wanted to paint him defiant in the face of his oppressors. He was a skater, and they are no strangers to defiance. Thankfully, I found some excellent references to help me with the composition. Aesthetically, I wanted the comp to be modern, colorful, and hopefully impactful. I went for a pop art, illustration, and false-color vibe and minimized blending and refining layer edges. I painted this in Rebelle 6 and Photoshop. Much respect.
Shes served her best Christmas with an enormous train led by Brain Tanaka. I used charcoal and pastel brushes in Rebelle 6. I wanted a really simple composition so I could focus on her dress and their pose together. Happy Holidays everyone.
Rebelle 6 by Escape Motions is out. It's a blast! Pigmented blending, watercolor granulation, nanopixel dimensions, new transformation options. Really enjoying it. (Drew this in it.)
Today’s drawing gets it’s name from something I overheard someone declare at lunch yesterday afternoon. I’ve had kale often enough and yet, I’m not convinced it tastes *entirely* like grass... I could be wrong though. Thoughts?
Love dahlias, not just because they are so ornate, but also because they bloom so very late. The tuberous begonias and potted dahlias are still in full bloom at the start of November, how cool is THAT? (For the northern hemisphere and 47th parallel, no less!) This is a stylized drawing in colored pencils.
