Jerry Drawing Color Art by Oz Galeano
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Black fineliner on drawing paper. My daughters want to hear fairytales every night at the moment. So my head is filled with magical forests, small houses, magical flowers etc.
Not sure what to say about this one. I like it. As many of you can probably see, I've been trying a more pixel-art-style technique lately. I use this program called Kleki--it's pretty cool. Also, I need a name for the grey creature.
I've been absent from the site for months, due to working on a book. But now that I have a bit of spare time, I've been dabbling in watercolours, something I haven't done in years. A bit rough to start but I'm enjoying it.
A hand-drawn illustration capturing the quiet beauty of a slow afternoon. Featuring a traditional tea set and a bursting vase of purple wildflowers against a sun-drenched window, this piece blends the "Sunday Reset" aesthetic with timeless botanical charm. Perfect for tea lovers, art collectors, and anyone looking to bring a touch of "home sanctuary" vibes to their walls.
I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
I did some fan art for this anime, Akuma Kun. I love Ichiros personality. This was a great watch if you like Supernatural shows mixed with detective like shows. Also, Ichiro reminds me of L from Death Note.
Look I give my cats when they pee or break something. It's like why? You have boxes and why you need to be breaking things? Half the time you don't want me. I don't own cats...they own me. I should have known this.
Continuing to consolidate the colour profile of the White Bird. Even if the photo fails to capture it, those pale shades are actually a sophisticated mixture of grey, sky blue, pink, and purple shades, managed with eraser and finished with white.
Have been working on my ability to manage lighting, softening the shades and contrasts. Colouring white things are actually not easy, because you will notice all the minute colouring differences much more easily.
#28 - A collection of ballpoint pen sketches drawn on printer paper & scanned. This is what my lines look like when I'm not using a stabilizer in digital software to get the nicest clean lines. I tried to separate my scanned lines from the various shades of off-white that the scanner picked up. I adjusted the brightness and contrast levels in photoshop but I'm not very knowledgeable on how to achieve the best results.
For some reason, I had to prove to myself that good art does indeed take time. Anyways, this is an angel character (they're not real angels, they're a fictional species of mine) in my "spacefluff" style. I think I want to name her Mosambi, because she's sweet.
I made my golden calf in the arbour because it was a pagan place and a circle is always a good setting for sculpture.
It was very difficult to get the legs to stay upright but in the end they did and I nailed them to the socle just to make sure. Sometimes I stood still, listening for the first rumble of the wrath of God. But so far he had said nothing. His great eye just looked right down into the arbour through the hole between the tops of the spruce trees. At last I had got him to show some interest.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
