If time cost flesh
If life is boundless
Then where will my hours take me
I want with desires
I wish like a liar
Chasing the rabbit timidly
When im asleep
My dreams are whats deep
I drown in seas of maybes
How do i rise
How do i reach skies
When emotions and plans limit me
I grovel an weep
Cause i put dreams out of reach
But i want to engage the maybes
So instead of the plots
And sitting on thoughts
Its time to embrace the daydreams
I wont cower to dreams
I’ll capture a scheme
And nurture the life of maybes -#embracingnightmares
in my idle time over Christmas holidays, i was inspired to make something unlike any of my other art. so i raided my recycle bin and made this fun little thing that sits between my window and the blinds.
I'm compiling simple slapdash 5 min. drawings of people + sharing their story.
Book 1 = story behind your name
If u wanna be drawn plz get in touch
10€ a drawing
Dave +351 969 534 520
https://artdavidmeehan.blogspot.com/p/7.html
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https://www.facebook.com/davidmeehan99/
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Draped in delicate pencil strokes, this artwork elegantly portrays a historic city gate, standing as a timeless sentry to myriad untold stories. Each shaded contour brings forth the intricate details of the gate's architecture, echoing the urban landscape of a bygone era. The deft use of monochrome evokes a nostalgic journey through the annals of time, where every shadow and highlight adds to the depth and texture of this piece. This mesmerizing blend of artistry and history invites viewers to step into the past and embrace the serene splendor of the city's storied gateway.
Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
para el día 20 de Fruitecember hoy le toca a frutas marinas
para este día decidí dibujar a tsunoplet quién se encontró con un arbusto marino con unas extrañas frutas parecidas a bayas pero son deliciosas.
❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)❤ (ɔˆз(ˆ⌣ˆc)
For the 20th of Fruitecember today is the turn of sea fruits
For this day I decided to draw Tsunoplet who found a sea bush with some strange fruits that look like berries but are delicious..
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
para el día 12 de Fruitecember hoy le toca a pistacho
para este día decidí dibujar a grifita quién está comiendo un frasco lleno de pistachos ya que es un poco adicta a comerlos.
^____^ ꧞ ૮ ∩ˊ ᵔ ˋ∩ ྀིྀིა ૮っ. ᴗ͈ ྀིა
For the 12th of Fruitecember today is pistachio's turn
For this day I decided to draw Grifita who is eating a jar full of pistachios since she is a bit addicted to eating them..
Sketchbook #11.
Since the 100heads challenge was real tiresome for me, I devised myself another challenge - "50 heads". Basically it's a "100 heads challenge", but for lazy people) The rules are simple: I had to draw 10 two-page spreads of 5 heads, no time limit, no nothing. And I decided to use different materials for each spread.
Spread #1 - ballpoint pen (+ a little bit of watercolour) - NEMOPHILA.
I am a professional logo and graphic designer. This piece is for one of my clients at https://thebackvault.com. How will you rate this piece? It is designed for public display and banner display.
(Gel Fineliner on A5 Paper) My opinion of the whole Inktober challenge. There's something to be said for the rebellious nature of drawing a simple cock and balls!
This captivating ink drawing features a fantasy character standing still, deeply rooted to the earth and seamlessly merged with nature. Surrounded by a complex web of trees and plants, the figure embodies the essence of the natural world. In the background, a mesmerizing sunset casts a warm glow over abstract waves of clouds, creating a harmonious blend of light and shadow. This artwork symbolizes the profound connection between humanity and the environment, inviting viewers to reflect on the beauty of nature.
