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Were to plotting around, ended up doodling for hours. Rearrangement of the main character…

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Here is my redesign of the mighty character from 2023. Quite a change in color and layering. What do you guys think?

Out of November…

(2B pencil on 137mm x 125mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

The Tool Bench marks my 50th canvas—completed exactly one year to the day after I finished my very first one. This piece is a tribute to work, memory, and the quiet corners where both creativity and responsibility live. Drawn entirely freehand, it’s built like a snapshot of a lived-in workspace: mismatched tools, worn wood, scribbled reminders, and the little personal things that actually make a place yours. The clipboard holds a “Honey-Do” list that never seems to end. The Polaroid-style sketch of my wife sits taped to the wall like a reminder of why the work matters. The shadows on the back wall match the tools lying on the bench—suggesting a moment in progress, a task paused, life happening between motions.

In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.” But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe. Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us. This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.

It has been a while since I last felt that I had a good day. Got myself together to draw, and the first thing that came into mind was to continue this character design project. Tried a mix between shades of grey, pale blue, with a tint of purple. Overall, the practice in drawing bird anatomy is slowly getting there. But yea... This is not a Blue Jay... I might have went a little too blue.

I've been meaning to draw some objects around my home. I got to these ones today. Pen life drawing.

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Whale of a time again, so they say…

So this beauty is an Alien Princess of her galaxy. But because its my WORLD there are multiple. Her crown are the number of planets within her realm. Each galaxy will have a limited amount of planets and life forms.

A sketch of one of the greatest video game characters that ever existed.

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A picture of bright poppies in a vase.

A beautiful hand drawn illustration of a vibrant Christmas tree decorated with an assortment of colorful ornaments, lights, and a big bright star on top.

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The picture depicts a eye. The core theme surrounding the artwork is that there is more than what meets the eye. At first glance people don't realise the stories that people hold, but if they try it can be seen. Another reason, why I chose a eye because of the phrase 'the eye is a window to the soul', as I feel it can show what can really be said about the person.

In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

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This artwork is part of my ongoing visual diary of factory life—small, overlooked corners turned into honest moments. “Trash Talk” sits right between humor and grit… a reminder that even the most mundane places have something to say.

A colour inverted picture of blue flowers in a garden.

A woman holds a megaphone directly to her face and out of the megaphone burst an explosion of flowers to comunícate the message "be your biggest fan" in a playful, self love, confidence boost, way.

Underwater science at play here…

Tom Hanks and his wit starting off my imagination today…

Two versions done in AI of a drawing.

Hey boos! This is just a little drawing of me at like, 7 maybe, and my old imaginary friend I named Mr. Friend. He was a very nice imaginary friend. :DDDD

Doodling of the Day

What I Learned from Looking through my childhood artwork, help me discover my art style: It was already within me. A Picasso documentary got me intrigued.The film captures the moment and the mystery of creativity.