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SEARCH RESULTS FOR

oil

venus venus
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crooked

literally, this image is crooked! sorry!!! fixing it made it look stranger, don't ask me how.. hehe. just some still life stuff with sennelier oil pastels. fuits, weird onion case and ink and cigs, and a picture of someone with a flower in their lap

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Miracle Miracle
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For eternity

....he was just a few lockers down all along ♥️ Oil crayon with marker on wood.

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Aliquis Aliquis
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The dog

Oil painting

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Shannah Terpstra Shannah Terpstra
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Oil pastel portrait

All glory to God :D Credits to the original photograph.

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Jack Godfrey Jack Godfrey
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Abstract  motif

Layering oil pastels and watercolour.Day 9 of 14

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Floriane Pina Floriane Pina
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Street Art - Paint - Acrylique - COLORFUL

COLORFUL Peinture acrylique, Poscas, encre de chine Toile en coton 30x30 cm Œuvre originale et unique Signée

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Godel Santos Godel Santos
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Arcane search comunity

oil n pencil,,,,composition fantasy landscape ,,,hope you like!!

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Andrena Anderson Andrena Anderson
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Chadwick

Still working on it Oil is complicated

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Grant Grant
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Owl

Small Oil Painting as experimentation when I first started using it.

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Godel Santos Godel Santos
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Riders traditional Color

this is oil, coofee n cranyon, mixture tecknike, am i going on a good path ?please coment! just tell me what you think,,,,,,,

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Godel Santos Godel Santos
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waterfall

this is cranyon oil n watercolor over pencil original drawing,,,,hope you like,,,,!!

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Erin Starks Erin Starks
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A Corner of My World

An archived oil painting from my 50's themed college apartment, including vintage retro furniture.

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SJ Smith SJ Smith
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Hi im Sj, nice to meet ya

Buffalo and her calf

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Godel Santos Godel Santos
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Aurea

hope you like,,original ilustration, oiln mixture,,semms to feel the sorrow,,,,,,,,,,

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Venessa Lin Venessa Lin
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It’s boiling hot.

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Josh Gee Josh Gee
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The Idea Seat AKA The Toilet

https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber

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Scott Ries Scott Ries
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Inner Turmoil

Pencil Sketch

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Gene Hart Gene Hart
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Bottle and Carafe

Oil-based markers and pen.

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Gene Hart Gene Hart
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At the Quarantine Cafe

Some people call it a dive, but it’s our dive.

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Colin Silverman Colin Silverman
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Busy Mind

Multimedia: Bic pen, felt marker, and oil pastel.

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Nicolae Vasilescu Nicolae Vasilescu
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The Homeless

" The Homeless" oil painting on canvas. Visit www.DecebalArtGallery.com

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Élias Roux Élias Roux
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Duo écarlate

Dyptique aux couleurs chaudes. Art brut, style bande dessinée. Acrylique sur toile.

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Andrea Andrea
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Concepts and Hope

First time oil pastel. Concepts and Hope: as a woman struggling with autism spectrum disorder I grew up not understanding basic concepts in the world around me. Maybe this is universal. I didn't understand why we had to go out to play in school for example, or I didn't understand other people might not be as honest as I always had been. A lot of concepts have a different meaning for someone like me. So here I am naked between the concepts, misunderstood but hopefully looking up. Maybe one day the world will be more like my ideals are, maybe I will create a circle around me of likeminded people, maybe the world will never change enough but I will find peace with myself. One day I will get peace, one way or another. Hope. Oh and yeah, it's a mess with the oil at the bottom. Does anyone have some ideas to improve my technique?

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Joe G Joe G
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A Sirens Call update

Oils on canvas work in progress

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Matthew Moir Matthew Moir
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Mineral I

11cm diameter; oil paint on canvas

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Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Lazarus Lazaridis Lazarus Lazaridis
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The Mountains

Following Bob Ross' season 13 episode 10

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JaRobyn Singletary JaRobyn Singletary
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Kicks

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Woman with a book - 1923 de Fernand Léger

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriation et remake de Victor Vasarely : Zebra en 1938

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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