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oil

Stephen Stephen
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Fed by a Miracle of Compassion

Fed by a Miracle of Compassion Medium: Acrylic on canvas Size: 11”x14” Year: 2019 Artist: Stephen J. Vattimo Matthew 14:13-21 New American Standard Bible (NASB) Five Thousand Fed 13 Now when Jesus heard about John, He withdrew from there in a boat to a secluded place by Himself; and when the [a]people heard of this, they followed Him on foot from the cities. 14 When He went [b]ashore, He saw a large crowd, and felt compassion for them and healed their sick. 15 When it was evening, the disciples came to Him and said, “This place is desolate and the hour is already [c]late; so send the crowds away, that they may go into the villages and buy food for themselves.” 16 But Jesus said to them, “They do not need to go away; you give them something to eat!” 17 They *said to Him, “We have here only five loaves and two fish.” 18 And He said, “Bring them here to Me.” 19 Ordering the [d]people to [e]sit down on the grass, He took the five loaves and the two fish, and looking up toward heaven, He blessed the food, and breaking the loaves He gave them to the disciples, and the disciples gave them to the crowds, 20 and they all ate and were satisfied. They picked up what was left over of the broken pieces, twelve full baskets. 21 There were about five thousand men who ate, besides women and children. This illustration is part of a mural about the ministry of Jesus of Nazareth. The mural consists 9 images that depict the Miracles of Compassion Christ worked that are recorded in the Bible and He continues to perform in the world today. Understanding the symbolism in the painting. The basket of to fish and bread sits in the grass; Jesus had instructed His disciples to have the people sit down in the grass. Dead grass: the event took place in a desolate place. Historical and cultural illustration. Basket design: In the first century in the middle east people traveled on foot and when on a long journey they carried food with them. The common lunch pal during this time period was most likely a small wicker style basket with a removable lid, and a leather strap attached to it. So, a person can sling it across their shoulder for comfortable transportation. The basket would most likely be lined with a cloth wrap around the food to protect it from dust and bugs. The fish and bread: In John 6:1-15 which mentions the same event, tell us the 2 fish and five loaves of bread belong to boy, so most likely his meal was that of a poor person. The common fish that was eaten by the poor in this region and time period, were sardines. The five loaves of bread: Were most likely a type of flat bread which is commonly consumed by middle eastern people. The Bible verse that best communicates the message of this illustration is: Matthew 6:25-33 New American Standard Bible (NASB) The Cure for Anxiety 25 “For this reason I say to you, [n]do not be worried about your [o]life, as to what you will eat or what you will drink; nor for your body, as to what you will put on. Is not life more than food, and the body more than clothing? 26 Look at the birds of the [p]air, that they do not sow, nor reap nor gather into barns, and yet your heavenly Father feeds them. Are you not worth much more than they? 27 And who of you by being worried can add a single [q]hour to his [r]life? 28 And why are you worried about clothing? Observe how the lilies of the field grow; they do not toil nor do they spin, 29 yet I say to you that not even Solomon in all his glory clothed himself like one of these. 30 But if God so clothes the grass of the field, which is alive today and tomorrow is thrown into the furnace, will He not much more clothe you? You of little faith! 31 Do not worry then, saying, ‘What will we eat?’ or ‘What will we drink?’ or ‘What will we wear for clothing?’ 32 For the Gentiles eagerly seek all these things; for your heavenly Father knows that you need all these things. 33 But [s]seek first [t]His kingdom and His righteousness, and all these things will be [u]added to you. Written by Stephen J. Vattimo 3/25/2019

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Lazarus Lazaridis Lazarus Lazaridis
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The Mountains

Following Bob Ross' season 13 episode 10

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JaRobyn Singletary JaRobyn Singletary
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Kicks

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Woman with a book - 1923 de Fernand Léger

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriation et remake de Victor Vasarely : Zebra en 1938

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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LeBoucher LeBoucher
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Remake : monochrome d’Yves Klein - IKB

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Erin Peters Erin Peters
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The long sleep

Oil pastel and graphite pencil on cardboard

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Manan sheel Manan sheel
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Pink flowers

Pink Flowers, using oil pastels :)

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David Martin David Martin
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The Librarian

Digital Oil. Portrait of a librarian.

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Viktor Wilde Viktor Wilde
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Fire Within This Black Of Heart

Shattered creature looking for balance, but be damaged by the decisions of wrongly waves. Tears, anger, this fire emerges to boil from within. Lost mind at distant way.

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Viktor Wilde Viktor Wilde
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Life, Death

Realms of Vibrant Oddites at display through poetic tales of welcome wonder. What emotions be boiled in this cauldron? Thoughts of mindful darkness play this way.

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Melanie A.M. Wilson Melanie A.M. Wilson
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I touched him without thinking and the surface of his skin was smooth and cool

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CHERYL D ALEXANDER CHERYL D ALEXANDER
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BLUES MAN

Original 16 x 20 oil painting.

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Tim Wesson Tim Wesson
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Random Stuff
1/5

Brick, Pens, Foil

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Jamie Domingo Jamie Domingo
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The Visitor

He is on the street walking... What is his name? I don't know. He is holding flowers and a black umbrella. Where is he going? I'm not quite sure. Maybe to somebody or maybe to somewhere. Made with Oil Pastels

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Mohammed Salah Mohammed Salah
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Scream

Some times you get that feeling of a SCREAM, you feel of a deep anger or a boiling volcano that needs to explode from inside in a rage and vigorous manner

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Faith Puleston Faith Puleston
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Untitled

This is another improvised painting - in oils this time, but poured on after diluting with white spirit and then tidied up with a paint brush chasing the forms that appeared. You need to outside to do one like this. Very fast to make, but they stink like

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Sheryl pond Sheryl pond
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Untitled

For a class by Lisa Congdon. Oil pastel. Reminds me of a circus

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Rebecca Gibson Rebecca Gibson
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Still Country

The Australian Magpie

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Bubba Factory Bubba Factory
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wyatt ben wyatt ben
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Luca Mussino Luca Mussino
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Serpentine Helix: The Dance of Life

"This digital artwork represents two snakes coiled in a helix, symbolizing the indissoluble union between physical and mystical life. The intertwined shapes evoke the structure of DNA, reflecting the fusion of science and spirituality and inviting reflection on how these dimensions are woven into the fabric of life."

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Rebecca Gibson Rebecca Gibson
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Monkey Tail Tree Sunset

Original Photo by my Mother

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Paul Mennea Paul Mennea
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cave man

ink sketch on paper, graphite, linseed oil

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Alrighty Alrighty
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Portrait of a sad man

Oil pastel

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Alrighty Alrighty
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Autumn apple

Trying oil pastel. A “portrait” of a dark red autumn apple

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Lesly Lesly
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Back to painting!

With our adorable Shiba, Kaiju, as my inspiration, I've started working on initial sketches. The next step is to determine the perfect color palette before beginning the actual painting. Though I typically prefer to work with oil paints, it's been a considerable time since I last indulged in painting. So, I've decided to use acrylics this time around. I'm thrilled to start this new painting!

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Spearmint Chalk Spearmint Chalk
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Layerality

Imagine a bathtub Full of soaps, salts, and oils Of many kinds How they would interact But some would settle And some would not mix The water would be influenced Reality is full of so many factors Some of which interact directly Some of which interact indirectly Forming many layers

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Kaeri Rin Kaeri Rin
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Cute weather forecast

Cute weather forecast ☁️/☂️ First trial and errors with oil pastels! I bought 4 sticks to try the new medium and I'm having so much fun making cute little doodles

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