I'm working on a sketchbook for the Brooklyn Sketchbook Project (a library of art), and this is the first drawing I did for it. Little orange cat carrying a crystal with purpose.
This is just a little Sneak Peak for a Fancomic I am currently working on. Feel free to check out my deviantArt Account if you want to see more :) https://www.deviantart.com/cryptodrake
I have three different pairs of hand-designed shoes on Etsy right now, and I’m working on pairs for my mother and grandmother. If you’re interested in these, hit the Etsy button at this link: https://linktr.ee/okhismakingart or if you want a custom pair done, message me and we can talk about details. P.S. They’ve all been waterproofed.
Part of a series of four illustrations I will be posting more of, based on poems written by children. These were made for a uni project working with Grimm & Co, a charity that enables children to express themselves through writing.
Part of a series of four illustrations I will be posting more of, based on poems written by children. These were made for a uni project working with Grimm & Co, a charity that enables children to express themselves through writing.
I took over as organizer of a Ladies Wine & Design group. Recently, I attended a grand opening of a co-working space, alone. I received some “compliments” that I’m not sure were compliments. To quote Chris Griffin: “I’m so awkward!?!”
A very random doodle I did for warm-up while working on commissions. I don't think it helped much other than working with little line work and stark lighting.
I'm not completely happy with the coloring on this, so I might redo it later. I really wanted to take my hand at the more colorful old comic style for Two Face, but I'm terrible at working with pinks.
PSA to not be a dick to retail workers this holiday season (and all seasons!). Working retail during the holidays was some of my shittiest experiences. People become coupon-waving, red-faced monsters that deserve nothing but a trip into Krampus’ sack.
Here are a few things to remember:
1: They have literally no authority. Honestly, the cashier would love nothing more than to accept a stack of expired coupons to get some cranky-ass customer indignantly insisting that “at this point YOU owe ME money!” through the line. But they can’t. And no amount of screaming will change that. Oh, and the manager is bunkered safely in the back refusing to come out and will only troubleshoot through walkie.
2: If you’re nice (like basic human decency) they are more inclined to help you as much as they are able. Being kind and patient costs nothing and might actually pay off. You might even be able to coax out a skiddish manager that *sometimes* has the magic touch to get things accomplished.
3: Corporate overlords. Managers can do a lot but in the end, the retail world is run from corporate overlords through the machine sentries AKA registers. Welcome to Black Mirror, people. If the machine rejects your request then back to the matrix with you.
Progression image 4 of 6. 11x14 Marker paper, Medium Graphite Pencils (asst. B-5B). This is where I felt the piece coming together. I spent a lot of time working on her left eye.
"Potato digger", watercolour and ink on paper, 210mm x 148mm(A5).
Tiny painting made on my break from a bigger project I'm working on. The whole thing sprouted from a sketch of my small potato plant. Anyone else feels sorry for their patatoes when they sprout too much and plants them? The plants are so pretty, too!
Ink and Watercolor sketch of octopus. Normally I start with a pencil outline, then go over it with micron pens. But I'm learning to skip the pencil step and just sketch with ink. I helps you not to overthink things. Once you lay the ink line down on the paper it's there to stay. You can't erase and there isn't an undo like you have when working digitally. You just have to work around any "mistakes" you make. I'm also working on sketching faster because I just don't have that much free time these days. Trying to produce a new sketch every day is a real challenge.
