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Thought I would have a go at a competition! It has encouraged me to diversify within one image and think outside the box. I'll see how it goes!

I did the cover art for Sankofa's new album "Glyde Drexler." Check it out at sankofa.bandcamp.com & Spotify!

Mixed media. Acrylic, pencil, digital. This is a piece from the book “Mail Me Art - Medium Without A Message” by @littlechimpsociety. I think it was the second call for entries/book.There are now 4 books filled with awesome art drawn and painted on outsides of envelopes and packages by artists all over the world who then mailed them to the UK totally exposed to the postal service. The original was all analog. I brought this into Procreate and reworked it. I may do more when I get a chance but I’m pretty satisfied with it now.

First drawing i did in my animals in nest or hide-out serie. Want to use whole spread of Moleskine reporter Notebook

The new Hasselblads are so dang out of my range! I can't even swing a used one. This is the first time using the oil brush in @procreate on a final illustration. I have to admit i didn’t want it to end.

Rebelle 6 by Escape Motions is out. It's a blast! Pigmented blending, watercolor granulation, nanopixel dimensions, new transformation options. Really enjoying it. (Drew this in it.)

"Contemplation of the Jump" - drawn & colored in Escape Motions Rebelle. My drawings are pretty random, but after I make them I think about them a bit... like... what is that girl in that cave room thinking and why is he going to jump? I should probably know the answers... but I don't.

Three islands filled with people all alone out by the sea, You see, I'd love to join them but there is no room for me. That one guy climbed too high - I think they call him "Clumsy Paul?" Soon there may be room for me... I'm just waiting for his fall.

Just about there with this one. Not sure if it works as I wanted it to!

This is the kind of stuff that comes out of me when I'm really hungry.

trying out my new green brush pen! fits well with leaves :D

Playing around with digital stained-glass effects, and thought it would be fun to portray tropical summer vibes in a medium where you don't usually find them. Shout out to Lisa Bardot at bardotbrush.com for the basic digital technique.

It's cool how the internet can bring people together from far away places to make things. "Graham's Up the Tree" is based on a true story from the life of author mbpardy ... He's in Australia - I'm in Seattle area. When he posts these images at his page I see comments from people who grew up with real life versions of these characters I drew -- People that actually looked out the window and saw this little guy high up at the top of a tree... where no one else could go.

I draw small serie of animals on nest or hide-out I use potentials of moleskine reporter sketchbook in whole pages spread

A special commission for a Christmas present, drawn on A3 medium cartridge using 0.03, 0.05 and 0.1 fine liners. This was a bit different for me but I loved it so much! Took about 28 hours in total.

I visited my 6 year old's class las week to talk about what I do. They each made a little drawing and I got to put it tougher into this super fun pattern.

More nautical stuff keeps pouring out of my brain and into my moleskine.

A lot of times my pens take over, spilling out the inside of my brain onto the paper. Thankfully, it's not as gross as it sounds.

55 mins “I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.

When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3. Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.

The 3x3 Illustration Annual I was recently chosen to be in, inspired this recent doodle. Fireworks went off in my head and then spilled out on this Moleskine page.

I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.

In July of 2022, Brianna Grier died falling out of a moving police car while having a mental health breakdown. Since Brianna passed, I have been heartbroken for her twins and family but also reflecting on my struggle with mental health. Mental health needs compassion and empathy, not police and punishment. The brunch strokes are purposeful, but I completed them with empathy in mind. I want to keep the composition simple but filled with meaning. The color theme represents vastness and loneliness, but also kinetic energy found in warm orange tones.

Folktale Week Day1: Home. This is a folktale about the ghost of a woman who lived at Heceta Head Lighthouse Her baby died when she fell off the cliff outside their home. Tragic!

An Illustration born out of my love for rabbits! Drawn with pen & ink the bunnies are at home in their woodland environment!

Wooden Wolf- Spray paint and ink on wood cutout

Every spring I visit this magnificent pin oak when taking my class out to draw.

Here's the sketch for my Draw Your Fear submission. Drawn with a Pilot Custom Urushi fountain pen using deAtramentis Document Ink Black. Check out https://www.doodleaddicts.com/drawing-challenges/draw-your-fear/ tomorrow to see it in full color!

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

Trying out some new paper and colored pencils.