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In “I Love Lamp,” Ty Patmore blends nostalgia, humor, and subtle unease into a surreal domestic scene where time, space, and memory feel slightly off-center. A lava lamp—softly glowing with drifting shapes—sits on a worn wooden table, acting as the sole beacon of warmth inside a room that is quietly falling apart. The wallpaper peels back to reveal fractured brick beneath, as if the structure itself is shedding its old skin. A melting wall clock drips down the surface like time losing its grip, while a framed picture of a UFO drifting over pine trees hints that even the outside world may not be quite right. Every object bends reality just enough to make the viewer question whether this room is comforting… or unsettling.

This artwork is part of my ongoing visual diary of factory life—small, overlooked corners turned into honest moments. “Trash Talk” sits right between humor and grit… a reminder that even the most mundane places have something to say.

Mickey Mouse, peace, love, doodle

I was watching Elio and well...I came up with her. I love aliens! Well there's a whole list. Aliens, zombies, demons, vampires...on and on.

What I Learned from Looking through my childhood artwork, help me discover my art style: It was already within me. A Picasso documentary got me intrigued.The film captures the moment and the mystery of creativity. 

Every artist plays a different and necessary role in contributing to the overall health, development, and well-being of our society. .(self portrait)

Sonny Rollins, saxophone, love, doodle

A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.

This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening. * Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth. * Symbolism: * The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world. * The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.

"A wyvern whose only desire is to be loved, despite a frighteningly monstrous nature and bleak origin. A master of encouragement, childlike mischief, wing hug offers, and bypassing the laws of reality in outrageous fashions."

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.

A whimsical unicorn rides a waffle ice cream cone, leaving a colorful rainbow mane trail. Its playful posture adds charm comunicating freedom, happyiness and joy.

It's October and I am really getting into the Halloween spirit. And to start off the month is one of my witches. I have drawn quite a few witches over the years, and she is one of my favorite ones to draw.

This one is from the witch that I drew from last year. I really love this look. And soon you'll be seeing her in color! Hopefully soon.

(Ps its my 21th / 22th time drawing my oc Junior in my Sneezy art and doodle addict era and thrid time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 8-9 months pregnant btw still. (PS 8th junior drawing on sneezy art and forth time on doodle addict btw.) *PS photo 1 is better Finished ver then photo 2 is inked ver.* *Ps: it's not my best work yet! But its one my most inspiringwirks so far! But it's bit if an improvement of last time an few days ago even I took 3 - 4 days aka almost an week to draw this I started it on September 20th and finished it on September 23th and I liked better than last junior I made last time and better then the inked ver btw!*. (Ps jeffoween 2025 is coming soon like next month or 2 weeks later

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(Ps its my 20th /21th time drawing my oc Junior in my Sneezy art and doodle addict era and secord time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 8-9 months pregnant btw. (PS 7th junior drawing on sneezy art and third time on doodle addict btw.) *PS photo 1 is better Finished ver then photo 2 is inked ver.* *Ps: it's not my best work yet! But it's bit if an improvement of last time even I took 6 days aka almost 1 week to draw this I started it on September 15th and finished it on September 20th and I liked better than last junior I made last time and better then the inked ver btw!*. (Ps jeffoween 2025 is coming soon like next month

Zoidberg: Everyone! Quick! I was reading about this man RFK Jr. who says that we have to stop all modern medical practices immediately. He says they're poisonous.... Amy: RFK Jr. was an unqualified political grifter who died in disgrace from preventable illnesses over a thousand years ago. All of his theories were discredited even while he was still alive. You'd have to be a complete moron to take him seriously. Leela: God, Dr. Zoidberg. Aren't you even a little ashamed at being such an idiot? Fry: Yeah, Zoidberg. Even I knew that. How embarrassing for you.

Engie benjy >:3333 i love engie benjy (dont mind the poor camera quality

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)

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If i was real youd see me cry If i was real youd watch me die If i was real youd spit in my eye If i was real youd know a lie If i was real youd know my name If i was real id bring you shame If i was real id show you pain If i was real id drive you insane But im not real Im just a name Meet me in the dark Meet me in the light Ill crawl inside your skin Eager for a bite Ill coil around your thoughts Let me stay Together we can obsess Over every shade of grey Deny my existence Dont say my name I dont love you Make no mistake Im not here for salvation Im here for the pain Embrace me my child Nightmares My name #embracingnightmares

A striking jellyfish is depicted with flowing, colorful tendrils. The intricate lines in vibrant blues and oranges give a sense of movement and grace. This image captures the delicate beauty of marine life with an artistic flair.

Elias Rosenshaw 8/29/2025 Mixed media on toned tan paper. Starting next week, I'm going back to college. I'm very excited for my courses, especially art & writing. It will be a great opportunity to explore my curiosities, improve my art skills, and grow as a person. I will share my art assignments if my instructors allow it. I would also like to write a little about each piece, which may be required for my assignments anyway. Lately, I've been inspired by fantasy & fairytale artwork. I think fantasy & horror will make good focuses for my pre-BFA portfolio. This was a little experiment with a fairytale aesthetic. One of my goals is to use limited art supply sets & swap out colours as they run out. I feel the first colours I picked out fit with aesthetic well. I'm proud of this drawing, especially the dress & the night sky. However, I can see some areas that I should've done differently. I'm not happy with the proportions & foreshortening of the limbs. Also, I shouldn't have used a background colour for the flowers. I added the colour to cover up a smear from the watercolour. I should avoid making large areas of solid colour, especially with my coloured pencils. I am learning & improving.

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echidna, peace, love, doodle

Feels like I made a cover to some emo band.