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FRENEMY FRENEMY Plus Member
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Kimbop and Doodle Dog escape from the bad place.

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Angela Angela Plus Member
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Homely Paradise

Not quite what you think you see, look closer, creating that perfect moment at the end of the day

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Jim Bradshaw Jim Bradshaw Plus Member
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Inktober2018 day 9. Precious

Here is a character I have been thinking about off and on. She is a seagull who loves the beach and everything to do with it. Especially jellyfish.

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Junkyard Sam Junkyard Sam Plus Member
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Throwing His Computer to the Water Robots

New drawing drawn with my Sailor Fresca Tangerine 1911s F fountain pen. Ink = Noodlers Black American Eel. Color coming next.

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FRENEMY FRENEMY Plus Member
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A Place To Escape

Watercolor and Gouache on Arches

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stacey walker oldham stacey walker oldham Plus Member
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autumn vines

It's starting to feel a little bit fall-like around here so I'm playing with some new colors.

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Pat Henzy & Cici Henzy Pat Henzy & Cici Henzy Plus Member
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Stuff is Infinite and stuff

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Junkyard Sam Junkyard Sam Plus Member
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That Strange Phone

There's a phone in Graham's Up the Tree and kids will have no clue what they're looking at or how those "buttons" work.

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mary ann hanlon mary ann hanlon Plus Member
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Puupy

Spent a day stuck in the Chicago airport. I drew a LOT of puppies!

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FRENEMY FRENEMY Plus Member
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Topsy Turvy

old one from a few years ago.

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Nora Thompson Nora Thompson Plus Member
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iFrank

Colored pencil on toned tan paper

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GROBO GROBO Plus Member
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Release the Hound!

Rabid Dog for K2 Snowboarding- found on the 2016 Happy Hour

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Kimmo Oja Kimmo Oja Plus Member
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Bears at winter

Latest work of my animals in hide serie

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GROBO GROBO Plus Member
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In the studio

Another face under construction. Spray paint, ink, acrylic paint, marker on wood panel. 46"x36"

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Julia Hill Julia Hill Plus Member
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Blue Floral Monogram Letter
1/5

The bold white initial letter is sitting on a blue pen and ink hand drawn illustration with a watercolour background.

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Nora Thompson Nora Thompson Plus Member
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Five Eyes Veggie Burgers and Fries

Colored pencil on toned tan paper

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Tonya Doughty Tonya Doughty Plus Member
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Fruit Salad

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FRENEMY FRENEMY Plus Member
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All These Friends Inside My Head.
1/4

Gouache and watercolor on Arches watercolor paper.

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Nora Thompson Nora Thompson Plus Member
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Acid Rain

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Nora Thompson Nora Thompson Plus Member
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Batty

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OKAT OKAT Plus Member
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Line Study No. 2332

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Junkyard Sam Junkyard Sam Plus Member
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Untitled

Platinum's 3776 Century nib is even bigger than Pilot's 912 nib. Used both on this little boom box pizza party.

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Josh V Josh V Plus Member
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Flower
1/2

Oil pastels on board. I used terpenoid to blend the pastels like paint on the canvas. From my latest art class.

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Prabha Balakrishnan Prabha Balakrishnan Plus Member
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Power of lines

I never understood the power of dots and lines until I did this art! A simple change in the line from straight to curved shows projection of a hand. What a beauty!

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Taylor MN Taylor MN Plus Member
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Tattoo Flash Painting

For this piece I used acrylic paints and acrylic markers. My inspiration was my love of tattoo flash and traditional/neo-traditional tattoo designs. I grew up flipping through pages of tattoo flash catalogues and the art inside was a huge influence in my own art. Some of these pieces are my versions of popular designs and some are originals.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Forsythia in Bloom

Forsythia is in full bloom, and the cherries, magnolia, and dogwoods are next. Spring is here!

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John Kane John Kane Plus Member
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Junk shop

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Dean C. Graf Dean C. Graf Plus Member
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Self Portrait with Stormy Chromer

Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.

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Dean C. Graf Dean C. Graf Plus Member
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Monochromatic pastel

Teaching painting is a great task to ask of a person who doesn't paint. I do not paint. I teach the manipulation of media through experience. "Learn from doing!" I say. Monochromatic pastel exercises help my students to get a handle on the media. We explore value and composition and the handling of media. Sometimes happy accidents occur. This was my example to the teens on composition and value. It is a journey.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Imprimatura study

I took a course on imprimatur/underpainting and enjoyed the effect. I'm just working on adapting traditional skills to digital skills in Reblle.

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