Looking down on the Afon Mellte from its rocky riverbank in Neath's 'Waterfall Country'. I was a little perturbed by the complexity of this scene at first, but soon got into the flow of it. I love doing these wild nature scenes. Uniball Eye Micro on 6x8" sketchbook.
"Whirlwind 24”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 24th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 24, 2020.
A colour study for a larger piece. Unfortunately with the larger piece, I screwed up with the thick over thin rule and consequently, the paint cracked after a few months. Frustrated at having to start it again, but lesson learnt.
My three nieces doodled all over the background of this canvas and I did the painting of Neve in the foreground. I'll get my other two nieces painted in the summer.
One of my early oils from 2017. I was still getting used to the medium. I liked how the oils worked well for the misty distant hills, and I used glazing for the first time on the clouds.
I was going to do a full landscape sketch of the ascent to Cadair Idris, but I kind of chickened out. Still, I quite like the simplicity of this little sketch.
I stumbled across this dilapidated coach house that would have once been part of the Glynhir estate while exploring the public footpaths around Llandybie. I loved the way nature had reclaimed it.
Newest work! Alcohol inks for the sky, oil pastels for O'Neill himself :). A2 canvas - biggest I've done in a while! This was a present for the boyf, who is a massive Stargate fanboy!
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
