I painted one of my cats, Banana, in a cat tunnel. The coloring in the photo was muted, so I worked on color and fabric texture. I am thrilled with her facial expression, and the overall composition feels good. This is not AI nor is any element made from AI.
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.
This was drawn with a Japanese fountain pen, Japanese ink, and painted with Japanese watercolor. To be specific - I used Holbein watercolor and Platinum Carbon Black in a Pilot Falcon. This trio is perfect for me.
"Robot Manflower." 8x8 ink and watercolor. New discovery: Noodlers 54th Massachusetts Ink (watered down) works incredibly well for painting shadows/value before the watercolor. Watercolor does not disturb that ink! Drawn with a Pilot Custom 743 EF with De Atramentis Document Ink Black.
Flying Robot in the Sky, watercolor. I used my new Holbein paints. (I love them.) Drawn with a Pilot Falcon SEF using Platinum Carbon Black. A trifecta of Japanese paint, pen, and ink.
My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.
