I took a portrait collage course, and this is my first project. Fidelia Bridges painted incredible watercolors and landscapes, and the instructor assigned her as the subject.
Teaching painting is a great task to ask of a person who doesn't paint. I do not paint. I teach the manipulation of media through experience. "Learn from doing!" I say. Monochromatic pastel exercises help my students to get a handle on the media. We explore value and composition and the handling of media. Sometimes happy accidents occur. This was my example to the teens on composition and value. It is a journey.
Most of the painting is the glory of God all around. The very small Church in the background signifies our very small, very limited understanding of God.
Cont. to work on BnW illustrations, I wanted to focus on making the reflections have a realistic quality. I struggle with clouds, but I felt I was most refined here. My BnW's seem to have so much more life and expression than my paintings. I'd love to hear your thoughts.
I didn't know numbats are a thing! Came across this amazing little endangered marsupial when I was trying to decide which N animal to paint. They eat only termites (hence the recipes ;)). Part of a series where I'm painting animals in different styles. Today's was inspired by the art of Beatrix Potter. Digital watercolor, pointed pen, and colored pencil.
Rest in Power, Paul Reubens. I watched a lot of Pee-wee Herman as a young kid. As an adult, Paul Reuben's collection of erotic gay art made him interesting to me but misunderstood by many people. Any way you take him, he was funny and made many people laugh. I painted a scene from Pee-wee's Big Adventure, a classic Pee-wee movie from 1985. I love the California scenery and am happy with how the landscape turned out.
A penguin. Digital watercolor base with oils overtop. I wanted to try to paint it like those traditional animal paintings from ages ago. I gave them an ear piercing for the challenge and kept it at that. They're stuck up; they don't need much. ;P
A foggy morning opens up to a burnt landscape. I wanted to paint a couple of different environments in one painting but still aim to be refined. I used fall colors and smaller lines.
I am amazed summer after summer seeing this tree and garden grow. I started this with a blue background and a black layer that I punched through, and from there, I painted layer by layer from the back to the front. I like the realism I got, but I kept to a painterly feel using oil brushes.
